Percy Bysshe Shelley: Biography

Dulce de Castro
Professor Ashley Bender
English 5243
30 October 2014

Percy Shelley’s Biography

   The following brief biography is based on Shelley’s biography from Poetry Foundation at http://www.poetryfoundation.org/bio/percy-bysshe-shelley.

     Percy Shelley was born in Sussex, England, on August 4, 1792. His parents were Timothy and

Percy Shelley by Amelia Curran
Source: National Portrait Gallery, London

Elizabeth Shelley, and he had one brother and four sisters.
     In 1802 Shelle entered Syon House Academy, and in 1804 he entered Eaton College, where he started writing poetry. However, his first publication was a Gothic novel, Zastrozzi. In 1810 Shelley entered University College, Oxford, where he stayed for less than a year. While at Oxford, he published Gothic fiction and poetry and the pamphlet The Necessity of Atheism, which caused his expulsion from Oxford and strained his relationship with his father.
     In August 1811 he married Harriet Westbrook and moved to Keswick, where he met Robert Southey. Later on, in 1812 he met William Godwin. At this time Shelley was working on Queen Mab, a political epic that was published in 1813. In 1814 Shelley and Mary (the daughter of William Godwin and Mary Wollstonecraft and author of Frankenstein), accompanied by Jane Clairmont (Mary’s half sister), eloped to Paris and then to Switzerland but returned to London a few weeks later.
     In 1816 Shelley published Alastor; or, The Spirit of Solitude: and Other Poems, Shelley’s first Romantic poems.  This same year Shelley met Byron in Switzerland. After returning from Switzerland, Shelley wrote two of his best poems: “Hymn to Intellectual Beauty” and “Mont Blanc.”
     After the suicide of Harriet, Shelley’s wife, he married Mary in 1816. They moved to Marlow in 1817, where Shelley met John Keats and Horace Smith and wrote the political pamphlets, A Proposal for Putting Reform to the Vote Throughout the Kingdom and An Address to the People on the Death of the Princess Charlotte, and the political epic The Revolt of Islam.
In 1818 Shelley and Mary traveled to Italy, where Shelley wrote the poems “Lines Written among the Euganean Hills” and “Julian and Maddalo.” Many of the poems that Shelley wrote during this period deal with his estranged relationship with Mary. During this period he also wrote the drama Prometheus Unbound, which was published in 1820 and is considered his masterpiece. Some of Shelley’s best lyric poems (“Ode to the West Wind,” “The Cloud,” “To a Skylark,” and “Ode to Liberty”) were published together with Prometheus Unbound in 1820. During this period he also started writing his drama The Cenci. In 1821 Shelley published A Defence of Poetry and “Adonais: An Elegy on the Death of John Keats.”
In 1822, shortly before his 30th birthday, Shelley drowned in a sailing accident in Italy.

Percy Bysshe Shelley: Book Review

Dulce de Castro
Professor Ashley Bender
English 5243
30 October 2014

Book Review

Shelley and the Revolutionary Sublime. By Cian Duffy. Cambridge: Cambridge UP, 2005. xiv, 260 pp.
     Shelley’s notion of the sublime has been traditionally examined as moving away “from a radical empiricism to an increasingly apolitical idealism” (6) and moving toward Kant’s transcendental-idealist paradigms. In Shelley and the Revolutionary Sublime, Cian Duffy provides a revision of the historical and theoretical contexts in which Shelley’s idea of the sublime has been explored and argues that the poet’s conception of the sublime should be examined in light of his understanding of and engagement with British and French discourse on sublimity rather than in terms of Kant’s theory of the sublime. The main thesis of the book is that “Shelley’s concept of an epistemologically and politically progressive imagination—the concept that informs the Defense of Poetry—was worked out during a career driven by his critique of sublimity” (188-189). Duffy contends that in his “lifelong engagement with the discourse on the natural sublime” (189), Shelley posits a conception of the natural sublime that is “politically radical and epistemologically sceptical” (190). He argues that Shelley challenges the British discourse that the natural sublime reflects God’s existence and divine power and considers this belief superstitious. Thus, unlike British theorists, Duffy’s Shelley explores the sublime according to “secular libertarian” (7) beliefs.
     Shelley and the Revolutionary Sublime consists of an introduction, five chapters, and a conclusion.  In the first chapter, Duffy provides a close reading of Queen Mab and argues that in this poem Shelley rejects the views of theorists such as Archibald Alison and Thomas Reid who consider that natural grandeur—the natural sublime—proves God’s existence. Shelley criticizes and rejects such theistic views of the sublime as superstitious and prompted by irrational fear. Instead, he argues that the world is governed by Necessity and that God is created by the imagination. Shelley proposes a new imagination, which he calls cultivated imagination. This is a secularized imagination.
     In Chapter 2 Duffy examines Alastor and the unfinished story The Assassins, in which Christ is followed by the Assassins, an Ismaili sect. Duffy argues that Shelley views the conflict depicted in The Assassins as part of the natural sublime and as a reflection of the tension between quietism and revolution. Duffy contends that in Alastor, Shelley shows that isolation and solipsism are dangerous.
     Chapter 3 focuses on the Hymn to Intellectual Beauty and Mont Blanc. Duffy argues that in Hymn to Intellectual Beauty Shelley portrays Hume and Mary Wollstonecraft as examples of people who possess a cultivated imagination—a beautiful intellect. In Mont Blanc, as Duffy argues, Shelley elaborates on his conception of the cultivated imagination as a rejection of superstitious imagination but as a way of seeing the connection between natural laws and political laws. Duffy also suggests that Mont Blanc should be interpreted as following “the revolutionary tradition of Rousseau, Wordsworth and Byron” (110).
     In Chapter 4 Duffy discusses Laon and Cynthia and emphasizes his argument that Shelley interprets political change in terms of natural laws, which can only be understood by means of the cultivated imagination.
     Chapter 5 provides a close reading of Prometheus Unbound. In this chapter Duffy underscores his argument that political changes should be interpreted in terms of the natural sublime, of natural phenomena. Duffy argues that Shelley sees the natural sublime as “a figure for ideological rather than violent revolution” (174).
     Shelley and the Revolutionary Sublime provides an interesting and novel perspective on Shelley’s conception of the natural sublime by proposing that the poet’s discourse of the sublime is not based on Kant’s theory of the sublime but rather on a secularized view of the sublime that interprets political turmoil and changes as a function of natural events. Duffy supports his argument with thorough close readings of several of Shelley’s major and minor works. However, due to Duffy’s emphasis on presenting Shelley’s ideas on the sublimity as unfailingly consistent, his readings of the poet’s works may seem repetitive.
   
   

Percy Bysshe Shelley: Web Resources

Dulce de Castro
Professor Ashley Bender
English 5243
30 October 2014
Percy Bysshe Shelley
Web Resources

The Percy Bysshe Shelly Resource Page
http://terpconnect.umd.edu/~djb/shelley/home.html

Electronic Texts
http://www.online-literature.com/shelley_percy/
http://terpconnect.umd.edu/~djb/shelley/etexts.html
https://archive.org/details/selectedprosewor00shelrich

Percy Bysshe Shelley: Ozymandias
http://www.bbc.co.uk/schools/gcsebitesize/english_literature/poetrycharactervoice/ozymandiasrev1.shtml

Bibliography
http://terpconnect.umd.edu/~djb/shelley/bib.html
http://www.rc.umd.edu/sites/default/RCOldSite/www/reference/ksjbib/pbshelley/ShellPB99.html
Reading Shelley’s Interventionist Poetry, 1819-1820
http://www.rc.umd.edu/praxis/interventionist/

Biography
http://www.poetryfoundation.org/bio/percy-bysshe-shelley
http://www.victorianweb.org/previctorian/shelley/bio.html
http://www.victorianweb.org/previctorian/shelley/chron.html
http://nzr.mvnu.edu/faculty/trearick/english/rearick/readings/authors/specific/shelley_percy.htm#Life
http://www.notablebiographies.com/Sc-St/Shelley-Percy.html

Percy Bysshe Shelley: Recent Scholarship

Dulce de Castro

Professor Ashley Bender

English 5243

30 October 2014

Percy Bysshe Shelley

Bibliography

Books (1990-2014)  

Alvey, Nahoko Miyamoto. Strange Truths in Undiscovered Lands: Shelley's Poetic Development and Romantic Geography. Toronto, ON: U of Toronto P, 2009. Print.

Beake, Fred. The Imaginations of Mr. Shelley. Salzburg: Univ. of Salzburg, 1993. Print.

Bieri, James. Percy Bysshe Shelley: A Biography. Baltimore, MD: Johns Hopkins UP, 2008. Print.

Bonca, Teddi Chichester. Shelley's Mirrors of Love: Narcissism, Sacrifice, and Sorority. Albany, NY: State U of New York P, 1999. Print.

Brewer, William D. The Shelley-Byron Conversation. Gainesville: UP of Florida, 1994. Print.

Colbert, Benjamin. Shelley's Eye: Travel Writing and Aesthetic Vision. Aldershot, England: Ashgate, 2005. Print.

Cox, Jeffrey N. Poetry and Politics in the Cockney School: Keats, Shelley, Hunt and their Circle. Cambridge, England: Cambridge UP, 1998. Print.

Duffy, Cian. Shelley and the Revolutionary Sublime. Cambridge, England: Cambridge UP, 2005. Print.

Frosch, Thomas R. Shelley and the Romantic Imagination: A Psychological Study. Newark, DE: U of Delaware P, 2007. Print.

Gelpi, Barbara Charlesworth. Shelley's Goddess: Maternity, Language, Subjectivity. New York: Oxford UP, 1992. Print.

Gigante, Denise. Life: Organic Form and Romanticism. New Haven, CT: Yale UP, 2009. Print.

Goslee, Nancy Moore. Percy Bysshe Shelley, XVIII: The Homeric Hymns and Prometheus Drafts Notebook: Bodleian MS. Shelley Adds. E. 12. New York: Garland, 1996. Print.

---. Shelley's Visual Imagination. Cambridge, England: Cambridge UP, 2011. Print.

Haines, Simon. Shelley's Poetry: The Divided Self. Hampshire, England; New York, NY: St. Martin's, 1997. Print.

Hamilton, Paul. Percy Bysshe Shelley. Plymouth, England: Northcote House, with British Council, 2000. Print.

Höhne, Horst. In Pursuit of Love: The Short and Troublesome Life and Work of Percy Bysshe Shelley. New York, NY: Peter Lang, 2000. Print.

Holmes, Richard. Shelley: The Pursuit. New York, NY: New York Review Books, 2003. Print.

Jones, Steven E. Shelley's Satire: Violence, Exhortation, and Authority. DeKalb: Northern Illinois UP, 1994. Print.

Kerr-Koch, Kathleen. Romancing Fascism: Modernity and Allegory in Benjamin, De Man, Shelley. New York, NY: Bloomsbury, 2013. Print.

Lewis, Linda M. The Promethean Politics of Milton, Blake, and Shelley. Columbia, MO: U of Missouri P, 1992. Print.

Milnes, Tim. The Truth about Romanticism: Pragmatism and Idealism in Keats, Shelley, Coleridge. Cambridge, England: Cambridge UP, 2010. Print.

Morton, Timothy. Shelley and the Revolution in Taste: The Body and the Natural World. Cambridge, England: Cambridge UP, 2006. Print.

Mulhallen, Jacqueline. The Theatre of Shelley. Cambridge, England: Open Book, 2010. Print.

Nikolova, Irena. Complementary Modes of Representation in Keats, Novalis and Shelley. New York, NY: Peter Lang, 2001. Print.

Parker, Reeve. Romantic Tragedies: The Dark Employments of Wordsworth, Coleridge, and Shelley. Cambridge, England: Cambridge UP, 2011. Print.

Peterfreund, Stuart. Shelley among Others: The Play of the Intertext and the Idea of Language. Baltimore, MD: Johns Hopkins UP, 2002. Print.

Purinton, Marjean D. Romantic Ideology Unmasked: The Mentally Constructed Tyrannies in Dramas of William Wordsworth, Lord Byron, Percy Shelley, and Joanna Baillie. Newark; London: U of Delaware P; Associated UP, 1994. Print.

Quillin, Jessica K. Shelley and the Musico-Poetics of Romanticism. Farnham, England: Ashgate, 2012. Print.

Roberts, Hugh. Shelley and the Chaos of History: A New Politics of Poetry. University Park, PA: Pennsylvania State UP, 1997. Print.

Ruston, Sharon. Shelley and Vitality. Basingstoke, England: Palgrave Macmillan, with Arts and Humanities Research Board (AHRB), 2005. Print.

Sandy, Mark. Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and Genre. Aldershot, England: Ashgate, 2004. Print.

Schmid, Thomas H. Humor and Transgression in Peacock, Shelley, and Byron: A Cold Carnival. Lewiston, NY: Mellen, 1992. Print.

Schock, Peter A. Romantic Satanism: Myth and the Historical Moment in Blake, Shelley and Byron. New York, NY: Palgrave Macmillan, 2003. Print.

Schoina, Maria. Romantic 'Anglo-Italians': Configurations of Identity in Byron, the Shelleys, and the Pisan Circle. Surrey, England: Ashgate, 2009. Print.

Simpson, Michael. Closet Performances: Political Exhibitionism and Prohibition in the Dramas of Byron and Shelley. Stanford, CA: Stanford UP, 1998. Print.

Steinman, Lisa M. Masters of Repetition: Poetry, Culture, and Work in Thomson, Wordsworth, Shelley, and Emerson. New York, NY: St. Martin's, 1998. Print.

Swaminathan, S. R. Vedanta and Shelley. Salzburg, Austria: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1997. Print.

Ulmer, William A. Shellyan Eros: The Rhetoric of Romantic Love. Princeton: Princeton UP, 1990. Print.

Vatalaro, Paul A. Shelley's Music: Fantasy, Authority, and the Object Voice. Surrey, England: Ashgate, 2009. Print.

Verma, K. D. The Vision of 'Love's Rare Universe': A Study of Shelley's Epipsychidion. Lanham, MD: UP of America, 1995. Print.

West, Sally. Coleridge and Shelley: Textual Engagement. Aldershot, England: Ashgate, 2007. Print.

Wheatley, Kim. Shelley and His Readers: Beyond Paranoid Politics. Columbia, MO: U of Missouri P, 1999. Print.

Wroe, Ann. Being Shelley: The Poet's Search for Himself. New York, NY: Pantheon, 2007. Print.

Percy Bysshe Shelley

Bibliography

Journal Articles (2000-2014)

Abroon, Fazel. "'Mont Blanc': Transcendence in Shelley's Relational System." Literature & Theology: An International Journal of Theory, Criticism and Culture 15.2 (2001): 159-73. Print.

---. "Necessity and the Origin of Evil in the Thought of Spinoza and Shelley." Keats-Shelley Review 14 (2000): 56-70. Print.

Ali, Zahrah A. Hussein. "The Prometheus Myth in the Sculptures of Sami Mohammad and the Plays of Aeschylus and Shelley." Comparative Literature Studies 49.1 (2012): 50-83. Print.

Amjad, Fazel A. "Natural and Ethical Necessity in Shelley's Epistemology." Keats-Shelley Review 17 (2003): 98-113. Print.

Anderson, Phillip. "A Romantic Disciple: Shelley, Keats, and Thomas Wade." Philological Review 36.1 (2010): 1-12. Print.

Barcsák, János. "Marking, Consciousness, Fabulation: The Lady's Presence in Shelley's 'Sensitive Plant'." Hungarian Journal of English and American Studies 19.1 (2013): 31-59. Print.

Berry, Amanda. "Some of My Best Friends are Romanticists: Shelley and the Queer Project in Romanticism." Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies 36-37 (2004). Print.

Bertonèche, Caroline. "From Poet to Poet Or Shelley's Inconsistencies in Keats's Penegyric: Adonais as an Autobiographical Work of Art." EREA: Revue Electronique d'Etudes sur le Monde Anglophone 5.1 (2007): 35-44. Print.

Betz, Laura Wells. "'at Once Mild and Animating': Prometheus Unbound and Shelley's Spell of Style." European Romantic Review 21.2 (2010): 161-81. Print.

Bidney, Martin. "War of the Winds: Shelley, Hardy, and Harold Bloom." Victorian Poetry 41.2 (2003): 229-44. Print.

Bleasdale, John. "'to Laughter': Shelley's Sonnet and Solitude." Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies 22 (2001). Print.

Bromwich, David. "Love Against Revenge in Shelley's Prometheus." Philosophy and Literature 26.2 (2002): 239-59. Print.

Bruhn, Mark J. "'Prodigious Mixtures and Confusions Strange': The Self-Subverting Mixed Style of the Cenci." Poetics Today 22.4 (2001): 713-63. Print.

---. "Shelley's Theory of Mind: From Radical Empiricism to Cognitive Romanticism." Poetics Today 30.3 (2009): 373-422. Print.

Buck, Michael. "Browning, Shelley, and John Stuart Mill: The Dialectic of Theism and Aestheticism in Pauline and 'Fra Lippo Lippi'." Studies in Browning and His Circle: A Journal of Criticism, History, and Bibliography 23 (2000): 70-8. Print.

Burley, Stephen. "Shelley, the United Irishmen and the Illuminati." Keats-Shelley Review 17 (2003): 18-26. Print.

Buxton, Xavier. "Sappho and Shelley: Lyric in the Dative." Cambridge Quarterly 40.4 (2011): 342-61. Print.

Callaghan, Madeleine. "'His Mute Voice': The Two Heroes of Adonais." Keats-Shelley Review 24 (2010): 38-52. Print.

Cameron, Esther. "Shelley's 'Defence' Today." Antigonish Review 122 (2000): 131-50. Print.

Canuel, Mark. "Coleridge, Shelley and the Aesthetics of Correction." Wordsworth Circle 33.1 (2002): 7-10. Print.

Carman, Colin. "'Freedom Leads it Forth': Queering the Epithalamium in Prometheus Unbound." European Romantic Review 24.5 (2013): 579-602. Print.

Cauchi, Francesca. "A Rereading of Wordsworth's Presence in Shelley's Alastor." SEL: Studies in English Literature, 1500-1900 50.4 (2010): 759-74. Print.

Cavanaugh, Cynthia. "Shelley's Sun Temple in Prometheus Unbound." Explicator 66.2 (2008): 82-5. Print.

Chander, Manu Samriti. "Framing Difference: The Orientalist Aesthetics of David Roberts and Percy Shelley." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 60 (2011): 77-94. Print.

Choueiri, Youssef M. "The Romantic Discourse of Ameen Rihani and Percy Shelley." Journal of Arabic Literature 44.1 (2013): 1-20. Print.

Clarke, George Elliott. "Racing Shelley; Or, Reading the Cenci as a Gothic Slave Narrative." European Romantic Review 11.2 (2000): 168-85. Print.

Cochran, Peter. "Byron and Shelley: Radical Incompatibiles." Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies 43 (2006). Print.

Cragwall, Jasper. "The Shelleys' Enthusiasm." Huntington Library Quarterly: Studies in English and American History and Literature 68.4 (2005): 631-53. Print.

Crook, Nora. "Calumniated Republicans and the Hero of Shelley's 'Charles the First'." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 56 (2007): 155-72. Print.

---. "Pecksie and the Elf: Did the Shelleys Couple Romantically?" Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies 18 (2000). Print.

---. "Shelley and His Waste-Paper Basket: Notes on Eight Shelleyan and Pseudo-Shelleyan Jottings, Extracts, and Fragments." Keats-Shelley Review 25.1 (2011): 68-78. Print.

Cross, Ashley J. "'what a World we make the Oppressor and the Oppressed': George Cruikshank, Percy Shelley, and the Gendering of Revolution in 1819." ELH 71.1 (2004): 167-207. Print.

Curran, Stuart. "The Presence of Godwin and Wollstonecraft in the Shelley's History of a Six Weeks' Tour." Questione Romantica: Rivista Interdisciplinare di Studi Romantici 1.1 (2009): 15-27. Print.

Daiya, Krishna. "The Timelessness of Art as Epitomized in Shelley's Ozymandias." Advances in Language and Literary Studies 5.1 (2014): 154-6. Print.

Dempsey, Sean. "The Cenci: Tragedy in a Secular Age." ELH 79.4 (2012): 879-903. Print.

Demson, Michael. "'Let a Great Assembly be': Percy Shelley's 'the Mask of Anarchy' and the Organization of Labor in New York City, 1910-30." European Romantic Review 22.5 (2011): 641-65. Print.

---. "Percy Shelley's Radical Agrarian Politics." Romanticism: The Journal of Romantic Culture and Criticism 16.3 (2010): 279-92. Print.

Desset, Fabien. "Shelley's Uneasiness about Colour in His Poetry and Ekphrasis." Interfaces: Image Texte Language 33 (2012): 165-92. Print.

Devenot, Neșe. "Prophet of the Electric Age: Cultural Performativity as Nonviolent Revolution in the Lifework of Percy Bysshe Shelley." Romanticism and Victorianism on the Net 62 (2012): 1-25. Print.

Dick, Alex J. "'the Ghost of Gold': Forgery Trials and the Standard of Value in Shelley's the Mask of Anarchy." European Romantic Review 18.3 (2007): 381-400. Print.

Donahue, Luke. "Romantic Survival and Shelley's 'Ode to the West Wind'." European Romantic Review 25.2 (2014): 219-42. Print.

Donovan, Jack. "Raising the Master Spirit: The Epic Poet as Autobiographer in Shelley's Laon and Cythna." Ranam: Recherches Anglaises et Nord-Américaines 35 (2002): 85-105. Print.

Duff, David. "Shelley's 'Foretaste of Heaven': Romantic Poetics and the Esdaile Notebook." Wordsworth Circle 31.3 (2000): 149-58. Print.

Duffy, Cian. "Revolution Or Reaction? Shelley's Assassins and the Politics of Necessity." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 52 (2003): 77-93. Print.

---. "'the Child of a Fierce Hour': Shelley and Napoleon Bonaparte." Studies in Romanticism 43.3 (2004): 399-416. Print.

---. "'the City Disinterred': The Shelley Circle and the Revolution at Naples." Forum for Modern Language Studies 39.2 (2003): 152-64. Print.

Earle, Bo. "The Prophetic Strain: Shelley on Erotic Failure and World Legislation." Studies in Romanticism 44.4 (2005): 605-31. Print.

Economides, Louise. "'Mont Blanc' and the Sublimity of Materiality." Cultural Critique 61 (2005): 87-114. Print.

Edgecombe, Rodney Stenning. "Displaced Christian Images in Shelley's 'Ozymandias'." Keats-Shelley Review 14 (2000): 95-9. Print.

---. "James Murphy, Shelley and a Stanza in Adonais." Keats-Shelley Review 15 (2001): 86-7. Print.

---. "Shelley's 'Alastor', Collins and Gray." Keats-Shelley Review 22 (2008): 94-7. Print.

---. "Shelley's 'Arethusa' and Lines from 'Enoch Arden'." Tennyson Research Bulletin 9.3 (2009): 283-4. Print.

Egan, Gerald. "Radical Moral Authority and Desire: The Image of the Male Romantic Poet in Frontispiece Portraits of Byron and Shelley." Eighteenth Century: Theory and Interpretation 50.2-3 (2009): 185-205. Print.

Eisner, Eric. "The Cenci's Celebrity." Prism(s): Essays in Romanticism 11 (2003): 7-36. Print.

Ellis, David. "Who is King of the Cats? Byron, Shelley and the Friendship of Poets." Cambridge Quarterly 39.1 (2010): 61-75. Print.

Elmore, Lauren T. "The Implications of Immortal Grief in Shelley's Adonais and Keats's the Fall of Hyperion." Explicator 68.1 (2010): 15-8. Print.

Engelberg, Karsten. "Poetic Laments of P. B. Shelley: Conventions, Familiar Mysteries, and Critical Responses." Angles on the English Speaking World 3 (2003): 129-39. Print.

Erkelenz, Michael. "Shelley's First Pythian." Modern Philology: A Journal Devoted to Research in Medieval and Modern Literature 97.3 (2000): 393-416. Print.

Estermann, Barbara. "Attraction and Combination: The Science of Metamorphosis in Shelley's the Revolt of Islam." Studies in Romanticism 50.3 (2011): 413-36. Print.

Everest, Kelvin. "Shelley's Adonais and John Keats." Essays in Criticism: A Quarterly Journal of Literary Criticism 57.3 (2007): 237-64. Print.

Faflak, Joel. "The Difficult Education of Shelley's Triumph of Life." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 58 (2009): 53-78. Print.

Ferber, Michael. "Shelley and 'the Disastrous Fame of Conquerors'." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 51 (2002): 145-73. Print.

Fraistat, Neil, and Steven E. Jones. "Immersive Textuality: The Editing of Virtual Spaces." Text: An Interdisciplinary Annual of Textual Studies 15 (2002): 69-82. Print.

Fraistat, Neil. "The Material Shelley: Who Gets the Finger in Queen Mab?" Wordsworth Circle 33.1 (2002): 33-6. Print.

---. "The Workshop of Shelley's Poetry." Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies 19 (2000). Print.

Francis, Joe. "Doubting the Mountain: An Approach to Mont Blanc." Keats-Shelley Review 16 (2002): 14-21. Print.

Franta, Andrew. "Shelley and the Poetics of Political Indirection." Poetics Today 22.4 (2001): 765-93. Print.

Frosch, Thomas R. "'More than Ever can be Spoken': Unsonscious Fantasy in Shelley's Jane Williams Poems." Studies in Philology 102.3 (2005): 378-413. Print.

Gamer, Michael. "Shelley Incinerated." Wordsworth Circle 39.1-2 (2008): 23-6. Print.

Gardner, John. "The 'Slop-Merchant' from Shelley's 'Peter Bell the Third'." Notes and Queries 50 (248).3 (2003): 311-3. Print.

Geric, Michelle. "Shelley's 'Cancelled Cycles': Huttonian Geomorphology and Catastrophe in Prometheus Unbound (1820)." Romanticism: The Journal of Romantic Culture and Criticism 19.1 (2013): 31-43. Print.

Gladden, Samuel Lyndon. "Mary Shelley's Editions of the Collected Poems of Percy Bysshe Shelley: The Editor as Subject." Studies in Romanticism 44.2 (2005): 181-205. Print.

Goslee, Nancy. "Shelley's Cosmopolitan 'Discourse': Ancient Greek Manners and Modern Liberty." Wordsworth Circle 36.1 (2005): 2-5. Print.

Goulding, Christopher. "'an Old, Old Man with Hair of Silver White …': A More Scientific Image of Shelley's Mentor at Eton." Keats-Shelley Review 14 (2000): 52-5. Print.

---. "Early Detective Drama in Percy Shelley's the Cenci." Notes and Queries 49 (247).1 (2002): 40-1. Print.

---. "Percy Shelley, James Lind, and 'the Witch of Atlas'." Notes and Queries 50 (248).3 (2003): 309-11. Print.

---. "Percy Shelley's Cosmological Sublime: James Lind, Wililam Herschel, and 'the Multitudinous Orb'." Keats-Shelley Review 18 (2004): 206-16. Print.

---. "Shelley's Cosmological Sublime: William Herschel, James Lind and 'the Multitudinous Orb'." Review of English Studies: The Leading Journal of English Literature and the English Language 57.232 (2006): 783-92. Print.

---. "An Unpublished Shelley Letter." Review of English Studies: A Quarterly Journal of English Literature and the English Language 52.206 (2001): 233-7. Print.

---. "A Volcano's Voice at Eton: Percy Shelley, James Lind MD, and Global Climatology." Keats-Shelley Review 17 (2003): 34-41. Print.

Gray, Erik. "Faithful Likenesses: Lists of Similes in Milton, Shelley, and Rossetti." Texas Studies in Literature and Language 48.4 (2006): 291-311. Print.

Greene, Virginie. "Three Approaches to Poetry." PMLA: Publications of the Modern Language Association of America 120.1 (2005): 219-34. Print.

Grinnell, George C. "Ethics in the Face of Terror: Shelley and Biometrics." Review of Education/Pedagogy/Cultural Studies 30.3-4 (2008): 332-51. Print.

Haekel, Ralf. "Towards the Soul: Percy Bysshe Shelley's Epipsychidion." European Romantic Review 22.5 (2011): 667-84. Print.

Hall, Spencer. "'Beyond the Realms of Dream': Gothic, Romantic and Poetic Identity in Shelley's Alastor." Gothic Studies 3.1 (2001): 8-14. Print.

Halsey, Katherine. "Percy Bysshe Shelley and Theories of Language: A Discussion." Keats-Shelley Review 16 (2002): 22-30. Print.

Hancock, Stephen. "'Shelley Himself in Petticoats': Joanna Baillie's Orra and Non-Violent Masculinity as Remorse in the Cenci." Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies 31 (2003). Print.

Hands, Christopher. "Byron's Conversation with Shelley." Essays in Criticism: A Quarterly Journal of Literary Criticism 58.2 (2008): 143-61. Print.

Harmon, William. "Hardy, some Daisies, and Shelley." Thomas Hardy Journal 20.1 (2004): 61-3. Print.

Harrison, Douglas. "Narcissism, Apocalypse, and Shelley's Critique of Canonical History in 'Alastor'." Prism(s): Essays in Romanticism 11 (2003): 37-63. Print.

Harrison, Margot. "No Way for a Victim to Act? Beatrice Cenci and the Dilemma of Romantic Performance." Studies in Romanticism 39.2 (2000): 187-211. Print.

Hartman, Geoffrey. "Gods, Ghosts, and Shelley's 'Atheos'." Literature & Theology: An International Journal of Religion, Theory, and Culture 24.1 (2010): 4-18. Print.

Harvey, A. D. "Shelley and the Seduced Maidens." Keats-Shelley Review 16 (2002): 56-60. Print.

Hebron, Stephen. "Shelley's Ghost-an Exhibition at the Bodleian Library, Oxford." Keats-Shelley Review 25.1 (2011): 10-2. Print.

Hewitt, Regina. "Landor, Shelley, and the Design of History." Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies 20 (2000). Print.

Hitt, Christopher. "'A Sword of Lightning': Shelley's 'Ode to Liberty' and the Politics of Despair." Keats-Shelley Review 15 (2001): 64-85. Print.

---. "Shelley's Unwriting of Mont Blanc." Texas Studies in Literature and Language 47.2 (2005): 139-66. Print.

Howe, Tony. "Shelley and the Development of Don Juan." Byron Journal 35.1 (2007): 27-39. Print.

Hubbell, J. A. "Laon and Cythna: A Vision of Regency Romanticism." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 51 (2002): 174-97. Print.

Jackson, H. J. "The 'Ai' in 'Adonais'." Review of English Studies 62.257 (2011): 777-84. Print.

Jager, Colin. "Shelley After Atheism." Studies in Romanticism 49.4 (2010): 611-31. Print.

Johnston, Nicholas. "Shelley, Julian and the Narratives of Julian and Maddalo." Keats-Shelley Review 14 (2000): 34-41. Print.

Joukovsky, Nicholas A. "Contemporary Notices of Shelley: Addenda to the Unextinguished Hearth." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 56 (2007): 173-95. Print.

---. "Robert Parker's 'Letters on Atheism': An Early Response to Shelley's the Necessity of Atheism." Review of English Studies 63.261 (2012): 608-33. Print.

Joukovsky, Nicholas. "Keats, Shelley, and the Troubadour." Keats-Shelley Review 19 (2005): 132-41. Print.

Judson, Barbara. "The Politics of Medusa: Shelley's Physiognomy of Revolution." ELH 68.1 (2001): 135-54. Print.

---. "A Sound of Voices: The Ventriloquial Uncanny in Wieland and Prometheus Unbound." Eighteenth-Century Studies 44.1 (2010): 21-37. Print.

---. "Under the Influence: Owenson, Shelley, and the Religion of Dreams." Modern Philology: Critical and Historical Studies in Literature, Medieval Through Contemporary 104.2 (2006): 202-23. Print.

Jung, Sandro. "Overcoming Tyranny: Love, Truth and Meaning in Shelley's Prometheus Unbound." Keats-Shelley Review 20 (2006): 89-101. Print.

Kaufmann, David. "Two Cheers for Abstraction: Streams of Sound in Prometheus Unbound." Symbolism: An International Journal of Critical Aesthetics 1 (2000): 193-210. Print.

Kelley, Theresa M. "Reading Justice: From Derrida to Shelley and Back." Studies in Romanticism 46.3 (2007): 267-87. Print.

Kilgour, Maggie. "'One Immortality': The Shaping of the Shelleys in the Last Man'." European Romantic Review 16.5 (2005): 563-88. Print.

Kim, Jane E. "Jobian Suffering in Shelley's the Cenci." SEL: Studies in English Literature, 1500-1900 52.4 (2012): 765-96. Print.

Koopman, Jennifer. "'the Cruel Painter' as a Rewriting of the Shelley-Godwin Triangle." North Wind: Journal of George MacDonald Studies 26 (2007): 48-76. Print.

Kuiken, Kir. "The Metaleptic Imagination in Shelley's Defence of Poetry." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 60 (2011): 95-111. Print.

---. "Shelley's 'Mask of Anarchy' and the Problem of Modern Sovereignty." Literature Compass 8.2 (2011): 95-106. Print.

Kurobane, Shigeko. "'A Scorpion Ringed with Fire' and 'A Rose for the Breast of God': The Cenci and the Ring and the Book." Studies in Browning and His Circle: A Journal of Criticism, History, and Bibliography 24 (2001): 68-77. Print.

Laniel, Sophie. "Anatomy of Light: Astronomy, Optics and Wave Dynamics in Percy B. Shelley's Epipsychidion and the Triumph of Life." Etudes Anglaises: Grande-Bretagne, Etats-Unis 63.1 (2010): 73-87. Print.

László, Noémi. "Unorthodox Theists: Thomas Hardy and Percy Bysshe Shelley." AnaChronisT (2000): 186-201. Print.

Lauritsen, John. "Hellenism and Homoeroticism in Shelley and His Circle." Journal of homosexuality 49.3-4 (2005): 357-76. Print.

Lawton-Balejko, Dana. "A Lost Shelley Letter in Boston College's Francis Thompson Archive." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 57 (2008): 25-31. Print.

Lee, Sungbum. "Reference, Self-Reference and the Power of Signs: The Cases of Hugh Blair and Percy B. Shelley." Nineteenth Century Literature in English 13.1 (2009): 233-57. Print.

Levy, Michelle. "Discovery and the Domestic Affections in Coleridge and Shelley." SEL: Studies in English Literature, 1500-1900 44.4 (2004): 693-713. Print.

Lewis, Eric. "Poetry, Imagination, and Revolution in Shelley's the Mask of Anarchy." Sigma Tau Delta Review 11 (2014): 72-80. Print.

Lindstrom, Eric. "'to Wordsworth' and the 'White Obi': Slavery, Determination, and Contingency in Shelley's Peter Bell the Third." Studies in Romanticism 47.4 (2008): 549-80. Print.

Lo, Francis. "Southey, Shelley and the Orientalist Quest: Geography and Genre." European Journal of English Studies 6.2 (2002): 143-58. Print.

Logan, William. "Shelley's Wrinkled Lip, Smith's Gigantic Leg." Parnassus: Poetry in Review 32.1-2 (2011): 297-316. Print.

Lowe, Peter. "Dantean Suffering in the Work of Percy Shelley and T. S. Eliot: From Torment to Purgation." English Studies: A Journal of English Language and Literature 85.4 (2004): 324-43. Print.

---. "The Question of Self-Consciousness in the Poetry of Percy Shelley and T. S. Eliot." Yeats Eliot Review: A Journal of Criticism and Scholarship 19.3 (2002): 11-26. Print.

---. "Shelleyan Identity in T. S. Eliot's 'the Love Song of J. Alfred Prufrock'." Romanticism: The Journal of Romantic Culture and Criticism 15.1 (2009): 65-74. Print.

Lussier, Mark. "Shelley's Poetics, Wave Dynamics, and the Telling Rhythm of Complementarity." Wordsworth Circle 34.2 (2003): 91-5. Print.

Markley, A. A. "Curious Transformations: Cupid, Psyche, and Apuleius in the Shelleys' Works." Keats-Shelley Review 17 (2003): 120-35. Print.

Martens, Britta. "Shelley's Preface to The Cenci and Browning's 'Cenciaja' and 'Essay on Shelley'." ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 23.4 (2010): 223-6. Print.

McDayter, Ghislaine. "O'Er Leaping the Bounds: The Sexing of the Creative Soul in Shelley's Epipsychidion." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 52 (2003): 21-49. Print.

McInnis, David. "Humoral Theory as an Organizing Principle in Shelley's 'Ode to the West Wind'?" ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 20.2 (2007): 32-4. Print.

Miall, David S. "Foregrounding and the Sublime: Shelley in Chamonix." Language and Literature: Journal of the Poetics and Linguistics Association 16.2 (2007): 155-68. Print.

Miller, Christopher R. "Shelley's Uncertain Heaven." ELH 72.3 (2005): 577-603. Print.

Miller, T. S. "The Proliferation of Duality in Shelley's Alastor." Explicator 68.4 (2010): 219-22. Print.

Milne, Drew. "Flaming Robes: Keats, Shelley and the Metrical Clothes of Class Struggle." Textual Practice 15.1 (2001): 101-22. Print.

Milnes, Tim. "Centre and Circumference: Shelley's Defence of Philosophy." European Romantic Review 15.1 (2004): 3-22. Print.

Mitchell, Robert. "'here is Thy Fitting Temple': Science, Technology and Fiction in Shelley's Queen Mab." Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies 21 (2001). Print.

Molinari, Lori. "Revising the Revolution: The Festival of Unity and Shelley's Beau Ideal." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 53 (2004): 97-126. Print.

Morgan, Alison. "'God Save our Queen!' Percy Bysshe Shelley and Radical Appropriations of the British National Anthem." Romanticism: The Journal of Romantic Culture and Criticism 20.1 (2014): 60-72. Print.

Mortimer, Armine Kotin. "Myth and Mendacity: Balzac's Pierrette and Beatrice Cenci." Dalhousie French Studies 51 (2000): 12-25. Print.

Morton, Timothy. "Joseph Ritson, Percy Shelley and the Making of Romantic Vegetarianism." Romanticism: The Journal of Romantic Culture and Criticism 12.1 (2006): 52-61. Print.

---. "Percy Shelley, Snacker Poet." Moving Worlds: A Journal of Transcultural Writings 6.2 (2006): 22-9. Print.

Mossberg, Barbara Antonina Clarke. "Through the Transatlantic Lens of 'My George Eliot' and Percy Bysshe Shelley: Emily Dickinson's Expatriate Soul in Postcards from the Edge." Emily Dickinson Journal 21.2 (2012): 59-79. Print.

Mozer, Hadley J. "'Ozymandias,' Or De Casibus Lord Byron: Literary Celebrity on the Rocks." European Romantic Review 21.6 (2010): 727-49. Print.

Nagle, Christopher. "Sterne, Shelley, and Sensibility's Pleasure of Proximity." ELH 70.3 (2003): 813-45. Print.

Nersessian, Anahid. "Radical Love and the Political Romance: Shelley After the Jacobin Novel." ELH 79.1 (2012): 111-34. Print.

North, Julian. "Shelley Revitalized: Biography and the Reanimated Body." European Romantic Review 21.6 (2010): 751-70. Print.

Nuss, Melynda. "Prometheus in a Bind: Law, Narrative and Movement in Prometheus Unbound." European Romantic Review 18.3 (2007): 417-34. Print.

O'Connell, Anita. "Dante's Linguistic Detail in Shelley's Triumph of Life." CLCPrint: Comparative Literature and Culture 13.4 (2011). Print.

O'Neil, Michael. "'A Double Face of False and True': Poetry and Religion in Shelley." Literature & Theology: An International Journal of Religion, Theory, and Culture 25.1 (2011): 32-46. Print.

O'Neill, Michael. "'A Deeper and Richer Music': Felicia Hemans in Dialogue with Wordsworth, Byron and Shelley." Charles Lamb Bulletin 145 (2009): 3-12. Print.

---. "A. C. Bradley's Views of Shelley's Poetry and Poetics." Romanticism: The Journal of Romantic Culture and Criticism 14.1 (2008): 36-46. Print.

---. "Adonais and Poetic Power." Wordsworth Circle 35.2 (2004): 50-7. Print.

---. "The Fixed and the Fluid: Identity in Byron and Shelley." Byron Journal 36.2 (2008): 105-16. Print.

---. "The Gleam of those Words: Coleridge and Shelley." Keats-Shelley Review 19 (2005): 76-96. Print.

---. "'Materials for Imagination': Shelleyan Traces in Felicia Hemans's Poetry After 1822." Women's Writing 21.1 (2014): 74-90. Print.

---. "Shelley's Defences of Poetry." Wordsworth Circle 43.1 (2012): 20-5. Print.

---. "Southey and Shelley Reconsidered." Romanticism: The Journal of Romantic Culture and Criticism 17.1 (2011): 10-24. Print.

---. "'the Whole Mechanism of the Drama': Shelley's Translation of Plato's Symposium." Keats-Shelley Review 18 (2004): 51-67. Print.

O'Niell, Michael. "Antipathy and Sympathy: Lamb's Response to Shelley, Byron, and Keats." Charles Lamb Bulletin 154 (2011): 89-99. Print.

Opali, Fred. "Romantic and African Notions of Poetic Language: Shelley and Okot p'Bitek." Matatu: Journal for African Culture and Society 35 (2007): 59-67. Print.

O'Shaughnessy, David. "Godwin, Shelley, and the 'Free Communication of Intellect'." Bodleian Library Record 25.1 (2012): 61-9. Print.

Ovenden, Richard. "The Godwins and Shelleys at Oxford." Book Collector 53.4 (2004): 559-65. Print.

Peterfreund, Stuart. "The Color Violaceous, Or, Chemistry and the Romance of Dematerialization: The Subliming of Iodine and Shelley's Adonais." Studies in Romanticism 42.1 (2003): 45-54. Print.

Pite, Ralph. "Shelley in Italy." Yearbook of English Studies 34 (2004): 46-60. Print.

Potkay, Monica Brzezinski. "Incest as Theology in Shelley's the Cenci." Wordsworth Circle 35.2 (2004): 57-65. Print.

Prell, Donald B. "The Sinking of the Don Juan Revisited." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 56 (2007): 136-54. Print.

Pyle, Forest. "Kindling and Ash: Radical Aestheticism in Keats and Shelley." Studies in Romanticism 42.4 (2003): 427-59. Print.

---. "Skylark-Image: Or, the Vitality of Disappearance." European Romantic Review 25.3 (2014): 319-25. Print.

Quillin, Jessica K. "Shelleyan Lyricism and the Romantic Historicization of Musical Aesthetics." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 54 (2005): 133-47. Print.

Randel, Fred V. "Shelley's Revision of Coleridgean Traditionalism in 'Lines Written among the Euganean Hills'." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 52 (2003): 50-76. Print.

Ravinthiran, Vidyan. "Dante and Shelley's Terza Rima." Essays in Criticism: A Quarterly Journal of Literary Criticism 61.2 (2011): 155-72. Print.

Redfield, Marce. "Masks of Anarchy: Shelley's Political Poetics." Bucknell Review: A Scholarly Journal of Letters, Arts and Sciences 45.2 (2002): 100-26. Print.

Revard, Carter. "Milton as Muse for Keats, Shelley, and Frost." Milton Studies 53 (2012): 205-34. Print.

Richardson, Alan. "The Politics of Dreaming-from Diderot to Keats and Shelley." Romantik: Journal for the Study of Romanticisms 1.1 (2012): 9-26. Print.

Rizo-Patron, Eileen. "Bachelard's Subversive Hermeneutics: A Reading of 'Lightning' in Shelley's Prometheus Unbound." Religion and the Arts 10.3 (2006): 355-73. Print.

Roberts, Hugh. "Mere Poetry and Strange Flesh: Shelley's the Cenci and Calderon's El Purgatorio De San Patricio." European Romantic Review 20.3 (2009): 345-66. Print.

Rockett, Kevin. "Something Rich and Strange: James Joyce, Beatrice Cenci and the Volta." Film & Film Culture 3 (2004): 21-34. Print.

Rodenbeck, John. "Travelers from an Antique Land: Shelley's Inspiration for 'Ozymandias'." Alif: Journal of Comparative Poetics 24 (2004): 121. Print.

Rollison, Damian Judge. "The Kelmscott Shelley and Material Poetics." Journal of the William Morris Society 15.4 (2004): 55-73. Print.

Rossington, Michael. "Claire Clairmont's Fair Copy of Shelley's 'Ode to Naples': A Rediscovered Manuscript." Review of English Studies: The Leading Journal of English Literature and the English Language 56.223 (2005): 59-89. Print.

---. "Commemorating the Relic: The Beginnings of the Bodleian Shelley Collections." Bodleian Library Record 18.3 (2004): 264-75. Print.

---. "Rousseau and Tacitus: Republican Inflections in the Shelleys' History of a Six Weeks' Tour." European Romantic Review 19.4 (2008): 321-33. Print.

---. "'the Destinies of the World': Shelley's Reception and Transmission of European News in 1820-21." Romanticism: The Journal of Romantic Culture and Criticism 13.3 (2007): 233-43. Print.

---. "Theorizing a Republican Poetics: P. B. Shelley and Alfieri." European Romantic Review 20.5 (2009): 619-28. Print.

Roth, Matthew. "Glimmers of Shelley in John Shade's Verse." Nabokovian 62 (2009): 37-42. Print.

Roussetzki, Ré. "Aggravating Shakespeare: Endless Violence in Shelley's and in Musset's Theater of Anxiety." European Romantic Review 15.4 (2004): 493-510. Print.

---. "Theater of Anxiety in Shelley's the Cenci and Musset's Lorenzaccio." Criticism: A Quarterly for Literature and the Arts 42.1 (2000): 31-57. Print.

Ruston, Sharon. "One of the 'Modern Sceptics': Reappraising Shelley's Medical Education." Romanticism: The Journal of Romantic Culture and Criticism 9.1 (2003): 1-19. Print.

---. "Vegetarianism and Vitality in the Work of Thomas Forster, William Lawrence and P. B. Shelley." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 54 (2005): 113-32. Print.

Sachs, Jonathan. "'Yet the Capital of the World': Rome, Repetition, and History in Shelley's Later Writings." Nineteenth-Century Contexts 28.2 (2006): 105-26. Print.

Sandy, Mark. "'Stormy Visions': Shelley's Re-Invention of Myth, Memory and Identity in Adonais." Keats-Shelley Review 14 (2000): 84-94. Print.

Schandorf, Michael. "Romantic 'Ghoststory': Lingering Shades of Shelley in Ulysses." Texas Studies in Literature and Language 51.4 (2009): 416-25. Print.

Schille, Candy. "Orsino's 'Solemn Comedy' and Shelley's 'Tragedy' the Cenci." Restoration and 18th Century Theatre Research 20.1-2 (2005): 64-79. Print.

Schlüter, Kurt. "Shelley's 'Intellectual Beauty': Illusion Or Reality?" Literaturwissenschaftliches Jahrbuch im Auftrage der Görres-Gesellschaft 43 (2002): 121-50. Print.

Schmid, Thomas H. "'England Yet Sleeps': Intertextuality, Nationalism, and Risorgimento in P. B. Shelley's Swellfoot the Tyrant." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 53 (2004): 61-85. Print.

Schmidt, A. V. C. "Texture and Meaning in Shelley, Keats, and Yeats." Essays in Criticism: A Quarterly Journal of Literary Criticism 60.4 (2010): 318-35. Print.

Schoina, Maria. "The 'Poetry of Politics' in Shelley's and Byron's Italian Works." Gramma: Journal of Theory and Criticism 9 (2001): 69-91. Print.

Sharp, Michele Turner. "Mirroring the Future: Adonais, Elegy, and the Life in Letters." Criticism: A Quarterly for Literature and the Arts 42.3 (2000): 299-316. Print.

Singer, Katherine. "Stoned Shelley: Revolutionary Tactics and Women Under the Influence." Studies in Romanticism 48.4 (2009): 687-707. Print.

Sloan, Gary. "Shelley the Atheist." American Atheist 41.4 (2003): 7-9. Print.

Smith, David V. "Der Dichter Spricht: Shelley, Rousseau and the Perfect Society." Keats-Shelley Review 19 (2005): 117-31. Print.

Sorensen, Peter. "New Light on Shelley's 'Ozymandias': Shelley as Prophet of the 'New Israel'." Keats-Shelley Review 16 (2002): 74-93. Print.

Stauffer, Andrew M. "Celestial Temper: Shelley and the Masks of Anger." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 49 (2000): 138-61. Print.

Stephens, Walter. "Ozymandias: Or, Writing, Lost Libraries, and Wonder." MLN 124.5 (2009): 155-68. Print.

Steyaert, Kris. "A 'Massive Dramatic Plum Pudding': The Politics of Reception in the Early Antwerp Performance of Shelley's the Cenci." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 50 (2001): 14-26. Print.

Stock, Paul. "Liberty and Independence: The Shelley-Byron Circle and the State(s) of Europe." Romanticism: The Journal of Romantic Culture and Criticism 15.2 (2009): 121-30. Print.

---. "The Shelleys and the Idea of 'Europe'." European Romantic Review 19.4 (2008): 335-50. Print.

Stoneman, Patsy. "'Addresses from the Land of the Dead': Emily Brontë and Shelley." Brontë Studies: The Journal of the Brontë Society 31.2 (2006): 121-31. Print.

Swann, Mandy. "Shelley's Utopian Seascapes." Studies in Romanticism 52.3 (2013): 389-414. Print.

Sympos, Roman. "Enchanted Archive: Influence, Dissemination, and Media Transformation in Shelley's 'Ode to the West Wind'." Romanticism and Victorianism on the Net 50 (2008). Print.

Taylor, David. "'A Vacant Space, an Empty Stage': Prometheus Unbound, the Last Man, and the Problem of Dramatic (Re)Form." Keats-Shelley Review 20 (2006): 18-31. Print.

Thatcher, David. "Shakespeare and Shelley's Chameleons." ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 13.1 (2000): 18-21. Print.

Tovey, Paige. "Shelley and the Italian City-State." Wordsworth Circle 43.2 (2012): 103-6. Print.

---. "Wordsworth and Shelley in the Alps." Charles Lamb Bulletin 157 (2013): 70-82. Print.

Towsey, David. "Platonic Eros and Deconstructive Love." Studies in Romanticism 40.4 (2001): 511-30. Print.

Trott, Nicola. "Loves of the Triangle: William, Mary, and Percy Bysshe." Wordsworth Circle 31.1 (2000): 2-13. Print.

Turley, Richard Marggraf. "'Breathing Human Passion': Keats, Cornwall, Shelley and Popular Romanticism." European Romantic Review 19.3 (2008): 253-73. Print.

---. "An Echo of Clarke's Address in Shelley's Defence?" Neophilologus 84.2 (2000): 323-7. Print.

Urquhart, Troy. "Metaphor, Transfer and Translation in Plato's Ion: The Postmodern Platonism of Percy Bysshe Shelley's A Defence of Poetry." Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies 31 (2003). Print.

Venables, Toby. "The Lost Traveller." Keats-Shelley Review 15 (2001): 15-21. Print.

Viswas, Asha. "The 'Maruts' of the Rgveda and Shelley's 'Ode to the West Wind': A Study in Influence." Keats-Shelley Review 17 (2003): 86-94. Print.

Vork, Robert. "Things that no One can Say: The Unspeakable Act in Artaud's Les Cenci." Modern Drama 56.3 (2013): 306-26. Print.

Walker, Leila. "Percy Bysshe Shelley and the Ekphrasis of Hair." European Romantic Review 24.2 (2013): 231-50. Print.

Wallace, Jennifer. "'Copying Shelley's Letters': Mary Shelley and the Uncanny Erotics of Greek." Women's Studies: An Interdisciplinary Journal 40.4 (2011): 404-28. Print.

Printb, Timothy. "Shelley's Editorial due." Text: An Interdisciplinary Annual of Textual Studies 16 (2006): 205-15. Print.

Weinberg, Alan. "'all Things are Sold': The Degrading Intrusiveness of Commerce, with Reference to Shelley's Queen Mab V." Keats-Shelley Review 20 (2006): 102-18. Print.

---. "The Limits of Super-Rationality: A New Look at the Conception of Jupiter in Prometheus Unbound." European Legacy: Toward New Paradigms 14.4 (2009): 253-67. Print.

---. "'Yet in its Depth what Treasures': Shelley's Transforming Intellect and the Paradoxical Example of Coleridge." Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies 22 (2001). Print.

Wellens, Oskar. "The First Dutch Performance of the Cenci." Keats-Shelley Review 19 (2005): 142-9. Print.

---. "Shelley in the Netherlands: A Comprehensive List of His Dutch Translations." Keats-Shelley Review 21 (2007): 97-114. Print.

Wells, David N. "Shelley in the Transition to Russian Symbolism: Three Versions of 'Ozymandias'." Modern Language Review 108.4 (2013): 1221-36. Print.

Whatley, John. "'the Ghost of a Forgotten Form of Sleep': The Gothic in Shelley's 'the Triumph of Life'." Gothic Studies 5.1 (2003): 71-93. Print.

Wheatley, Kim. "'Attracted by the Body': Accounts of Shelley's Cremation." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 49 (2000): 162-82. Print.

Wilson, Eric Glenn. "Shelley and the Poetics of Glaciers." Wordsworth Circle 36.2 (2005): 53-6. Print.

Woodman, Ross. "Figuring Disfiguration: Reading Shelley After De Man." Studies in Romanticism 40.2 (2001): 253-88. Print.

Woolford, John. "Browning on the Romantics on Mont Blanc." Browning Society Notes 33 (2008): 3-20. Print.

Wroe, Ann. "Good Self, Bad Self: The Struggle in Shelley." Romanticism and Victorianism on the Net 51 (2008). Print.

---. "Shelley and Night." Keats-Shelley Review 25.1 (2011): 55-67. Print.

---. "Shelley's Good Vibrations: His Marginal Notes to Hartley's Observations on Man." Wordsworth Circle 41.1 (2010): 36-41. Print.

Wry, Joan Reiss. "Panoptic Perspectives in Shelley's 'Mont Blanc': Collapsed Distance and the Alpine Sublime." Explicator 67.1 (2008): 30-3. Print.

Yoneta, Lawrence-Masakazu. "The Landscape in the Pastoral Elegy: A Comparison between Milton's Lycidas and Shelley's Adonais." Sophia English Studies 33 (2008): 3-17. Print.