Percy Bysshe Shelley: Web Resources

Dulce de Castro
Professor Ashley Bender
English 5243
30 October 2014
Percy Bysshe Shelley
Web Resources

The Percy Bysshe Shelly Resource Page
http://terpconnect.umd.edu/~djb/shelley/home.html

Electronic Texts
http://www.online-literature.com/shelley_percy/
http://terpconnect.umd.edu/~djb/shelley/etexts.html
https://archive.org/details/selectedprosewor00shelrich

Percy Bysshe Shelley: Ozymandias
http://www.bbc.co.uk/schools/gcsebitesize/english_literature/poetrycharactervoice/ozymandiasrev1.shtml

Bibliography
http://terpconnect.umd.edu/~djb/shelley/bib.html
http://www.rc.umd.edu/sites/default/RCOldSite/www/reference/ksjbib/pbshelley/ShellPB99.html
Reading Shelley’s Interventionist Poetry, 1819-1820
http://www.rc.umd.edu/praxis/interventionist/

Biography
http://www.poetryfoundation.org/bio/percy-bysshe-shelley
http://www.victorianweb.org/previctorian/shelley/bio.html
http://www.victorianweb.org/previctorian/shelley/chron.html
http://nzr.mvnu.edu/faculty/trearick/english/rearick/readings/authors/specific/shelley_percy.htm#Life
http://www.notablebiographies.com/Sc-St/Shelley-Percy.html

Percy Bysshe Shelley: Recent Scholarship

Dulce de Castro

Professor Ashley Bender

English 5243

30 October 2014

Percy Bysshe Shelley

Bibliography

Books (1990-2014)  

Alvey, Nahoko Miyamoto. Strange Truths in Undiscovered Lands: Shelley's Poetic Development and Romantic Geography. Toronto, ON: U of Toronto P, 2009. Print.

Beake, Fred. The Imaginations of Mr. Shelley. Salzburg: Univ. of Salzburg, 1993. Print.

Bieri, James. Percy Bysshe Shelley: A Biography. Baltimore, MD: Johns Hopkins UP, 2008. Print.

Bonca, Teddi Chichester. Shelley's Mirrors of Love: Narcissism, Sacrifice, and Sorority. Albany, NY: State U of New York P, 1999. Print.

Brewer, William D. The Shelley-Byron Conversation. Gainesville: UP of Florida, 1994. Print.

Colbert, Benjamin. Shelley's Eye: Travel Writing and Aesthetic Vision. Aldershot, England: Ashgate, 2005. Print.

Cox, Jeffrey N. Poetry and Politics in the Cockney School: Keats, Shelley, Hunt and their Circle. Cambridge, England: Cambridge UP, 1998. Print.

Duffy, Cian. Shelley and the Revolutionary Sublime. Cambridge, England: Cambridge UP, 2005. Print.

Frosch, Thomas R. Shelley and the Romantic Imagination: A Psychological Study. Newark, DE: U of Delaware P, 2007. Print.

Gelpi, Barbara Charlesworth. Shelley's Goddess: Maternity, Language, Subjectivity. New York: Oxford UP, 1992. Print.

Gigante, Denise. Life: Organic Form and Romanticism. New Haven, CT: Yale UP, 2009. Print.

Goslee, Nancy Moore. Percy Bysshe Shelley, XVIII: The Homeric Hymns and Prometheus Drafts Notebook: Bodleian MS. Shelley Adds. E. 12. New York: Garland, 1996. Print.

---. Shelley's Visual Imagination. Cambridge, England: Cambridge UP, 2011. Print.

Haines, Simon. Shelley's Poetry: The Divided Self. Hampshire, England; New York, NY: St. Martin's, 1997. Print.

Hamilton, Paul. Percy Bysshe Shelley. Plymouth, England: Northcote House, with British Council, 2000. Print.

Höhne, Horst. In Pursuit of Love: The Short and Troublesome Life and Work of Percy Bysshe Shelley. New York, NY: Peter Lang, 2000. Print.

Holmes, Richard. Shelley: The Pursuit. New York, NY: New York Review Books, 2003. Print.

Jones, Steven E. Shelley's Satire: Violence, Exhortation, and Authority. DeKalb: Northern Illinois UP, 1994. Print.

Kerr-Koch, Kathleen. Romancing Fascism: Modernity and Allegory in Benjamin, De Man, Shelley. New York, NY: Bloomsbury, 2013. Print.

Lewis, Linda M. The Promethean Politics of Milton, Blake, and Shelley. Columbia, MO: U of Missouri P, 1992. Print.

Milnes, Tim. The Truth about Romanticism: Pragmatism and Idealism in Keats, Shelley, Coleridge. Cambridge, England: Cambridge UP, 2010. Print.

Morton, Timothy. Shelley and the Revolution in Taste: The Body and the Natural World. Cambridge, England: Cambridge UP, 2006. Print.

Mulhallen, Jacqueline. The Theatre of Shelley. Cambridge, England: Open Book, 2010. Print.

Nikolova, Irena. Complementary Modes of Representation in Keats, Novalis and Shelley. New York, NY: Peter Lang, 2001. Print.

Parker, Reeve. Romantic Tragedies: The Dark Employments of Wordsworth, Coleridge, and Shelley. Cambridge, England: Cambridge UP, 2011. Print.

Peterfreund, Stuart. Shelley among Others: The Play of the Intertext and the Idea of Language. Baltimore, MD: Johns Hopkins UP, 2002. Print.

Purinton, Marjean D. Romantic Ideology Unmasked: The Mentally Constructed Tyrannies in Dramas of William Wordsworth, Lord Byron, Percy Shelley, and Joanna Baillie. Newark; London: U of Delaware P; Associated UP, 1994. Print.

Quillin, Jessica K. Shelley and the Musico-Poetics of Romanticism. Farnham, England: Ashgate, 2012. Print.

Roberts, Hugh. Shelley and the Chaos of History: A New Politics of Poetry. University Park, PA: Pennsylvania State UP, 1997. Print.

Ruston, Sharon. Shelley and Vitality. Basingstoke, England: Palgrave Macmillan, with Arts and Humanities Research Board (AHRB), 2005. Print.

Sandy, Mark. Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and Genre. Aldershot, England: Ashgate, 2004. Print.

Schmid, Thomas H. Humor and Transgression in Peacock, Shelley, and Byron: A Cold Carnival. Lewiston, NY: Mellen, 1992. Print.

Schock, Peter A. Romantic Satanism: Myth and the Historical Moment in Blake, Shelley and Byron. New York, NY: Palgrave Macmillan, 2003. Print.

Schoina, Maria. Romantic 'Anglo-Italians': Configurations of Identity in Byron, the Shelleys, and the Pisan Circle. Surrey, England: Ashgate, 2009. Print.

Simpson, Michael. Closet Performances: Political Exhibitionism and Prohibition in the Dramas of Byron and Shelley. Stanford, CA: Stanford UP, 1998. Print.

Steinman, Lisa M. Masters of Repetition: Poetry, Culture, and Work in Thomson, Wordsworth, Shelley, and Emerson. New York, NY: St. Martin's, 1998. Print.

Swaminathan, S. R. Vedanta and Shelley. Salzburg, Austria: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1997. Print.

Ulmer, William A. Shellyan Eros: The Rhetoric of Romantic Love. Princeton: Princeton UP, 1990. Print.

Vatalaro, Paul A. Shelley's Music: Fantasy, Authority, and the Object Voice. Surrey, England: Ashgate, 2009. Print.

Verma, K. D. The Vision of 'Love's Rare Universe': A Study of Shelley's Epipsychidion. Lanham, MD: UP of America, 1995. Print.

West, Sally. Coleridge and Shelley: Textual Engagement. Aldershot, England: Ashgate, 2007. Print.

Wheatley, Kim. Shelley and His Readers: Beyond Paranoid Politics. Columbia, MO: U of Missouri P, 1999. Print.

Wroe, Ann. Being Shelley: The Poet's Search for Himself. New York, NY: Pantheon, 2007. Print.

Percy Bysshe Shelley

Bibliography

Journal Articles (2000-2014)

Abroon, Fazel. "'Mont Blanc': Transcendence in Shelley's Relational System." Literature & Theology: An International Journal of Theory, Criticism and Culture 15.2 (2001): 159-73. Print.

---. "Necessity and the Origin of Evil in the Thought of Spinoza and Shelley." Keats-Shelley Review 14 (2000): 56-70. Print.

Ali, Zahrah A. Hussein. "The Prometheus Myth in the Sculptures of Sami Mohammad and the Plays of Aeschylus and Shelley." Comparative Literature Studies 49.1 (2012): 50-83. Print.

Amjad, Fazel A. "Natural and Ethical Necessity in Shelley's Epistemology." Keats-Shelley Review 17 (2003): 98-113. Print.

Anderson, Phillip. "A Romantic Disciple: Shelley, Keats, and Thomas Wade." Philological Review 36.1 (2010): 1-12. Print.

Barcsák, János. "Marking, Consciousness, Fabulation: The Lady's Presence in Shelley's 'Sensitive Plant'." Hungarian Journal of English and American Studies 19.1 (2013): 31-59. Print.

Berry, Amanda. "Some of My Best Friends are Romanticists: Shelley and the Queer Project in Romanticism." Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies 36-37 (2004). Print.

Bertonèche, Caroline. "From Poet to Poet Or Shelley's Inconsistencies in Keats's Penegyric: Adonais as an Autobiographical Work of Art." EREA: Revue Electronique d'Etudes sur le Monde Anglophone 5.1 (2007): 35-44. Print.

Betz, Laura Wells. "'at Once Mild and Animating': Prometheus Unbound and Shelley's Spell of Style." European Romantic Review 21.2 (2010): 161-81. Print.

Bidney, Martin. "War of the Winds: Shelley, Hardy, and Harold Bloom." Victorian Poetry 41.2 (2003): 229-44. Print.

Bleasdale, John. "'to Laughter': Shelley's Sonnet and Solitude." Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies 22 (2001). Print.

Bromwich, David. "Love Against Revenge in Shelley's Prometheus." Philosophy and Literature 26.2 (2002): 239-59. Print.

Bruhn, Mark J. "'Prodigious Mixtures and Confusions Strange': The Self-Subverting Mixed Style of the Cenci." Poetics Today 22.4 (2001): 713-63. Print.

---. "Shelley's Theory of Mind: From Radical Empiricism to Cognitive Romanticism." Poetics Today 30.3 (2009): 373-422. Print.

Buck, Michael. "Browning, Shelley, and John Stuart Mill: The Dialectic of Theism and Aestheticism in Pauline and 'Fra Lippo Lippi'." Studies in Browning and His Circle: A Journal of Criticism, History, and Bibliography 23 (2000): 70-8. Print.

Burley, Stephen. "Shelley, the United Irishmen and the Illuminati." Keats-Shelley Review 17 (2003): 18-26. Print.

Buxton, Xavier. "Sappho and Shelley: Lyric in the Dative." Cambridge Quarterly 40.4 (2011): 342-61. Print.

Callaghan, Madeleine. "'His Mute Voice': The Two Heroes of Adonais." Keats-Shelley Review 24 (2010): 38-52. Print.

Cameron, Esther. "Shelley's 'Defence' Today." Antigonish Review 122 (2000): 131-50. Print.

Canuel, Mark. "Coleridge, Shelley and the Aesthetics of Correction." Wordsworth Circle 33.1 (2002): 7-10. Print.

Carman, Colin. "'Freedom Leads it Forth': Queering the Epithalamium in Prometheus Unbound." European Romantic Review 24.5 (2013): 579-602. Print.

Cauchi, Francesca. "A Rereading of Wordsworth's Presence in Shelley's Alastor." SEL: Studies in English Literature, 1500-1900 50.4 (2010): 759-74. Print.

Cavanaugh, Cynthia. "Shelley's Sun Temple in Prometheus Unbound." Explicator 66.2 (2008): 82-5. Print.

Chander, Manu Samriti. "Framing Difference: The Orientalist Aesthetics of David Roberts and Percy Shelley." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 60 (2011): 77-94. Print.

Choueiri, Youssef M. "The Romantic Discourse of Ameen Rihani and Percy Shelley." Journal of Arabic Literature 44.1 (2013): 1-20. Print.

Clarke, George Elliott. "Racing Shelley; Or, Reading the Cenci as a Gothic Slave Narrative." European Romantic Review 11.2 (2000): 168-85. Print.

Cochran, Peter. "Byron and Shelley: Radical Incompatibiles." Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies 43 (2006). Print.

Cragwall, Jasper. "The Shelleys' Enthusiasm." Huntington Library Quarterly: Studies in English and American History and Literature 68.4 (2005): 631-53. Print.

Crook, Nora. "Calumniated Republicans and the Hero of Shelley's 'Charles the First'." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 56 (2007): 155-72. Print.

---. "Pecksie and the Elf: Did the Shelleys Couple Romantically?" Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies 18 (2000). Print.

---. "Shelley and His Waste-Paper Basket: Notes on Eight Shelleyan and Pseudo-Shelleyan Jottings, Extracts, and Fragments." Keats-Shelley Review 25.1 (2011): 68-78. Print.

Cross, Ashley J. "'what a World we make the Oppressor and the Oppressed': George Cruikshank, Percy Shelley, and the Gendering of Revolution in 1819." ELH 71.1 (2004): 167-207. Print.

Curran, Stuart. "The Presence of Godwin and Wollstonecraft in the Shelley's History of a Six Weeks' Tour." Questione Romantica: Rivista Interdisciplinare di Studi Romantici 1.1 (2009): 15-27. Print.

Daiya, Krishna. "The Timelessness of Art as Epitomized in Shelley's Ozymandias." Advances in Language and Literary Studies 5.1 (2014): 154-6. Print.

Dempsey, Sean. "The Cenci: Tragedy in a Secular Age." ELH 79.4 (2012): 879-903. Print.

Demson, Michael. "'Let a Great Assembly be': Percy Shelley's 'the Mask of Anarchy' and the Organization of Labor in New York City, 1910-30." European Romantic Review 22.5 (2011): 641-65. Print.

---. "Percy Shelley's Radical Agrarian Politics." Romanticism: The Journal of Romantic Culture and Criticism 16.3 (2010): 279-92. Print.

Desset, Fabien. "Shelley's Uneasiness about Colour in His Poetry and Ekphrasis." Interfaces: Image Texte Language 33 (2012): 165-92. Print.

Devenot, Neșe. "Prophet of the Electric Age: Cultural Performativity as Nonviolent Revolution in the Lifework of Percy Bysshe Shelley." Romanticism and Victorianism on the Net 62 (2012): 1-25. Print.

Dick, Alex J. "'the Ghost of Gold': Forgery Trials and the Standard of Value in Shelley's the Mask of Anarchy." European Romantic Review 18.3 (2007): 381-400. Print.

Donahue, Luke. "Romantic Survival and Shelley's 'Ode to the West Wind'." European Romantic Review 25.2 (2014): 219-42. Print.

Donovan, Jack. "Raising the Master Spirit: The Epic Poet as Autobiographer in Shelley's Laon and Cythna." Ranam: Recherches Anglaises et Nord-Américaines 35 (2002): 85-105. Print.

Duff, David. "Shelley's 'Foretaste of Heaven': Romantic Poetics and the Esdaile Notebook." Wordsworth Circle 31.3 (2000): 149-58. Print.

Duffy, Cian. "Revolution Or Reaction? Shelley's Assassins and the Politics of Necessity." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 52 (2003): 77-93. Print.

---. "'the Child of a Fierce Hour': Shelley and Napoleon Bonaparte." Studies in Romanticism 43.3 (2004): 399-416. Print.

---. "'the City Disinterred': The Shelley Circle and the Revolution at Naples." Forum for Modern Language Studies 39.2 (2003): 152-64. Print.

Earle, Bo. "The Prophetic Strain: Shelley on Erotic Failure and World Legislation." Studies in Romanticism 44.4 (2005): 605-31. Print.

Economides, Louise. "'Mont Blanc' and the Sublimity of Materiality." Cultural Critique 61 (2005): 87-114. Print.

Edgecombe, Rodney Stenning. "Displaced Christian Images in Shelley's 'Ozymandias'." Keats-Shelley Review 14 (2000): 95-9. Print.

---. "James Murphy, Shelley and a Stanza in Adonais." Keats-Shelley Review 15 (2001): 86-7. Print.

---. "Shelley's 'Alastor', Collins and Gray." Keats-Shelley Review 22 (2008): 94-7. Print.

---. "Shelley's 'Arethusa' and Lines from 'Enoch Arden'." Tennyson Research Bulletin 9.3 (2009): 283-4. Print.

Egan, Gerald. "Radical Moral Authority and Desire: The Image of the Male Romantic Poet in Frontispiece Portraits of Byron and Shelley." Eighteenth Century: Theory and Interpretation 50.2-3 (2009): 185-205. Print.

Eisner, Eric. "The Cenci's Celebrity." Prism(s): Essays in Romanticism 11 (2003): 7-36. Print.

Ellis, David. "Who is King of the Cats? Byron, Shelley and the Friendship of Poets." Cambridge Quarterly 39.1 (2010): 61-75. Print.

Elmore, Lauren T. "The Implications of Immortal Grief in Shelley's Adonais and Keats's the Fall of Hyperion." Explicator 68.1 (2010): 15-8. Print.

Engelberg, Karsten. "Poetic Laments of P. B. Shelley: Conventions, Familiar Mysteries, and Critical Responses." Angles on the English Speaking World 3 (2003): 129-39. Print.

Erkelenz, Michael. "Shelley's First Pythian." Modern Philology: A Journal Devoted to Research in Medieval and Modern Literature 97.3 (2000): 393-416. Print.

Estermann, Barbara. "Attraction and Combination: The Science of Metamorphosis in Shelley's the Revolt of Islam." Studies in Romanticism 50.3 (2011): 413-36. Print.

Everest, Kelvin. "Shelley's Adonais and John Keats." Essays in Criticism: A Quarterly Journal of Literary Criticism 57.3 (2007): 237-64. Print.

Faflak, Joel. "The Difficult Education of Shelley's Triumph of Life." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 58 (2009): 53-78. Print.

Ferber, Michael. "Shelley and 'the Disastrous Fame of Conquerors'." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 51 (2002): 145-73. Print.

Fraistat, Neil, and Steven E. Jones. "Immersive Textuality: The Editing of Virtual Spaces." Text: An Interdisciplinary Annual of Textual Studies 15 (2002): 69-82. Print.

Fraistat, Neil. "The Material Shelley: Who Gets the Finger in Queen Mab?" Wordsworth Circle 33.1 (2002): 33-6. Print.

---. "The Workshop of Shelley's Poetry." Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies 19 (2000). Print.

Francis, Joe. "Doubting the Mountain: An Approach to Mont Blanc." Keats-Shelley Review 16 (2002): 14-21. Print.

Franta, Andrew. "Shelley and the Poetics of Political Indirection." Poetics Today 22.4 (2001): 765-93. Print.

Frosch, Thomas R. "'More than Ever can be Spoken': Unsonscious Fantasy in Shelley's Jane Williams Poems." Studies in Philology 102.3 (2005): 378-413. Print.

Gamer, Michael. "Shelley Incinerated." Wordsworth Circle 39.1-2 (2008): 23-6. Print.

Gardner, John. "The 'Slop-Merchant' from Shelley's 'Peter Bell the Third'." Notes and Queries 50 (248).3 (2003): 311-3. Print.

Geric, Michelle. "Shelley's 'Cancelled Cycles': Huttonian Geomorphology and Catastrophe in Prometheus Unbound (1820)." Romanticism: The Journal of Romantic Culture and Criticism 19.1 (2013): 31-43. Print.

Gladden, Samuel Lyndon. "Mary Shelley's Editions of the Collected Poems of Percy Bysshe Shelley: The Editor as Subject." Studies in Romanticism 44.2 (2005): 181-205. Print.

Goslee, Nancy. "Shelley's Cosmopolitan 'Discourse': Ancient Greek Manners and Modern Liberty." Wordsworth Circle 36.1 (2005): 2-5. Print.

Goulding, Christopher. "'an Old, Old Man with Hair of Silver White …': A More Scientific Image of Shelley's Mentor at Eton." Keats-Shelley Review 14 (2000): 52-5. Print.

---. "Early Detective Drama in Percy Shelley's the Cenci." Notes and Queries 49 (247).1 (2002): 40-1. Print.

---. "Percy Shelley, James Lind, and 'the Witch of Atlas'." Notes and Queries 50 (248).3 (2003): 309-11. Print.

---. "Percy Shelley's Cosmological Sublime: James Lind, Wililam Herschel, and 'the Multitudinous Orb'." Keats-Shelley Review 18 (2004): 206-16. Print.

---. "Shelley's Cosmological Sublime: William Herschel, James Lind and 'the Multitudinous Orb'." Review of English Studies: The Leading Journal of English Literature and the English Language 57.232 (2006): 783-92. Print.

---. "An Unpublished Shelley Letter." Review of English Studies: A Quarterly Journal of English Literature and the English Language 52.206 (2001): 233-7. Print.

---. "A Volcano's Voice at Eton: Percy Shelley, James Lind MD, and Global Climatology." Keats-Shelley Review 17 (2003): 34-41. Print.

Gray, Erik. "Faithful Likenesses: Lists of Similes in Milton, Shelley, and Rossetti." Texas Studies in Literature and Language 48.4 (2006): 291-311. Print.

Greene, Virginie. "Three Approaches to Poetry." PMLA: Publications of the Modern Language Association of America 120.1 (2005): 219-34. Print.

Grinnell, George C. "Ethics in the Face of Terror: Shelley and Biometrics." Review of Education/Pedagogy/Cultural Studies 30.3-4 (2008): 332-51. Print.

Haekel, Ralf. "Towards the Soul: Percy Bysshe Shelley's Epipsychidion." European Romantic Review 22.5 (2011): 667-84. Print.

Hall, Spencer. "'Beyond the Realms of Dream': Gothic, Romantic and Poetic Identity in Shelley's Alastor." Gothic Studies 3.1 (2001): 8-14. Print.

Halsey, Katherine. "Percy Bysshe Shelley and Theories of Language: A Discussion." Keats-Shelley Review 16 (2002): 22-30. Print.

Hancock, Stephen. "'Shelley Himself in Petticoats': Joanna Baillie's Orra and Non-Violent Masculinity as Remorse in the Cenci." Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies 31 (2003). Print.

Hands, Christopher. "Byron's Conversation with Shelley." Essays in Criticism: A Quarterly Journal of Literary Criticism 58.2 (2008): 143-61. Print.

Harmon, William. "Hardy, some Daisies, and Shelley." Thomas Hardy Journal 20.1 (2004): 61-3. Print.

Harrison, Douglas. "Narcissism, Apocalypse, and Shelley's Critique of Canonical History in 'Alastor'." Prism(s): Essays in Romanticism 11 (2003): 37-63. Print.

Harrison, Margot. "No Way for a Victim to Act? Beatrice Cenci and the Dilemma of Romantic Performance." Studies in Romanticism 39.2 (2000): 187-211. Print.

Hartman, Geoffrey. "Gods, Ghosts, and Shelley's 'Atheos'." Literature & Theology: An International Journal of Religion, Theory, and Culture 24.1 (2010): 4-18. Print.

Harvey, A. D. "Shelley and the Seduced Maidens." Keats-Shelley Review 16 (2002): 56-60. Print.

Hebron, Stephen. "Shelley's Ghost-an Exhibition at the Bodleian Library, Oxford." Keats-Shelley Review 25.1 (2011): 10-2. Print.

Hewitt, Regina. "Landor, Shelley, and the Design of History." Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies 20 (2000). Print.

Hitt, Christopher. "'A Sword of Lightning': Shelley's 'Ode to Liberty' and the Politics of Despair." Keats-Shelley Review 15 (2001): 64-85. Print.

---. "Shelley's Unwriting of Mont Blanc." Texas Studies in Literature and Language 47.2 (2005): 139-66. Print.

Howe, Tony. "Shelley and the Development of Don Juan." Byron Journal 35.1 (2007): 27-39. Print.

Hubbell, J. A. "Laon and Cythna: A Vision of Regency Romanticism." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 51 (2002): 174-97. Print.

Jackson, H. J. "The 'Ai' in 'Adonais'." Review of English Studies 62.257 (2011): 777-84. Print.

Jager, Colin. "Shelley After Atheism." Studies in Romanticism 49.4 (2010): 611-31. Print.

Johnston, Nicholas. "Shelley, Julian and the Narratives of Julian and Maddalo." Keats-Shelley Review 14 (2000): 34-41. Print.

Joukovsky, Nicholas A. "Contemporary Notices of Shelley: Addenda to the Unextinguished Hearth." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 56 (2007): 173-95. Print.

---. "Robert Parker's 'Letters on Atheism': An Early Response to Shelley's the Necessity of Atheism." Review of English Studies 63.261 (2012): 608-33. Print.

Joukovsky, Nicholas. "Keats, Shelley, and the Troubadour." Keats-Shelley Review 19 (2005): 132-41. Print.

Judson, Barbara. "The Politics of Medusa: Shelley's Physiognomy of Revolution." ELH 68.1 (2001): 135-54. Print.

---. "A Sound of Voices: The Ventriloquial Uncanny in Wieland and Prometheus Unbound." Eighteenth-Century Studies 44.1 (2010): 21-37. Print.

---. "Under the Influence: Owenson, Shelley, and the Religion of Dreams." Modern Philology: Critical and Historical Studies in Literature, Medieval Through Contemporary 104.2 (2006): 202-23. Print.

Jung, Sandro. "Overcoming Tyranny: Love, Truth and Meaning in Shelley's Prometheus Unbound." Keats-Shelley Review 20 (2006): 89-101. Print.

Kaufmann, David. "Two Cheers for Abstraction: Streams of Sound in Prometheus Unbound." Symbolism: An International Journal of Critical Aesthetics 1 (2000): 193-210. Print.

Kelley, Theresa M. "Reading Justice: From Derrida to Shelley and Back." Studies in Romanticism 46.3 (2007): 267-87. Print.

Kilgour, Maggie. "'One Immortality': The Shaping of the Shelleys in the Last Man'." European Romantic Review 16.5 (2005): 563-88. Print.

Kim, Jane E. "Jobian Suffering in Shelley's the Cenci." SEL: Studies in English Literature, 1500-1900 52.4 (2012): 765-96. Print.

Koopman, Jennifer. "'the Cruel Painter' as a Rewriting of the Shelley-Godwin Triangle." North Wind: Journal of George MacDonald Studies 26 (2007): 48-76. Print.

Kuiken, Kir. "The Metaleptic Imagination in Shelley's Defence of Poetry." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 60 (2011): 95-111. Print.

---. "Shelley's 'Mask of Anarchy' and the Problem of Modern Sovereignty." Literature Compass 8.2 (2011): 95-106. Print.

Kurobane, Shigeko. "'A Scorpion Ringed with Fire' and 'A Rose for the Breast of God': The Cenci and the Ring and the Book." Studies in Browning and His Circle: A Journal of Criticism, History, and Bibliography 24 (2001): 68-77. Print.

Laniel, Sophie. "Anatomy of Light: Astronomy, Optics and Wave Dynamics in Percy B. Shelley's Epipsychidion and the Triumph of Life." Etudes Anglaises: Grande-Bretagne, Etats-Unis 63.1 (2010): 73-87. Print.

László, Noémi. "Unorthodox Theists: Thomas Hardy and Percy Bysshe Shelley." AnaChronisT (2000): 186-201. Print.

Lauritsen, John. "Hellenism and Homoeroticism in Shelley and His Circle." Journal of homosexuality 49.3-4 (2005): 357-76. Print.

Lawton-Balejko, Dana. "A Lost Shelley Letter in Boston College's Francis Thompson Archive." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 57 (2008): 25-31. Print.

Lee, Sungbum. "Reference, Self-Reference and the Power of Signs: The Cases of Hugh Blair and Percy B. Shelley." Nineteenth Century Literature in English 13.1 (2009): 233-57. Print.

Levy, Michelle. "Discovery and the Domestic Affections in Coleridge and Shelley." SEL: Studies in English Literature, 1500-1900 44.4 (2004): 693-713. Print.

Lewis, Eric. "Poetry, Imagination, and Revolution in Shelley's the Mask of Anarchy." Sigma Tau Delta Review 11 (2014): 72-80. Print.

Lindstrom, Eric. "'to Wordsworth' and the 'White Obi': Slavery, Determination, and Contingency in Shelley's Peter Bell the Third." Studies in Romanticism 47.4 (2008): 549-80. Print.

Lo, Francis. "Southey, Shelley and the Orientalist Quest: Geography and Genre." European Journal of English Studies 6.2 (2002): 143-58. Print.

Logan, William. "Shelley's Wrinkled Lip, Smith's Gigantic Leg." Parnassus: Poetry in Review 32.1-2 (2011): 297-316. Print.

Lowe, Peter. "Dantean Suffering in the Work of Percy Shelley and T. S. Eliot: From Torment to Purgation." English Studies: A Journal of English Language and Literature 85.4 (2004): 324-43. Print.

---. "The Question of Self-Consciousness in the Poetry of Percy Shelley and T. S. Eliot." Yeats Eliot Review: A Journal of Criticism and Scholarship 19.3 (2002): 11-26. Print.

---. "Shelleyan Identity in T. S. Eliot's 'the Love Song of J. Alfred Prufrock'." Romanticism: The Journal of Romantic Culture and Criticism 15.1 (2009): 65-74. Print.

Lussier, Mark. "Shelley's Poetics, Wave Dynamics, and the Telling Rhythm of Complementarity." Wordsworth Circle 34.2 (2003): 91-5. Print.

Markley, A. A. "Curious Transformations: Cupid, Psyche, and Apuleius in the Shelleys' Works." Keats-Shelley Review 17 (2003): 120-35. Print.

Martens, Britta. "Shelley's Preface to The Cenci and Browning's 'Cenciaja' and 'Essay on Shelley'." ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 23.4 (2010): 223-6. Print.

McDayter, Ghislaine. "O'Er Leaping the Bounds: The Sexing of the Creative Soul in Shelley's Epipsychidion." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 52 (2003): 21-49. Print.

McInnis, David. "Humoral Theory as an Organizing Principle in Shelley's 'Ode to the West Wind'?" ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 20.2 (2007): 32-4. Print.

Miall, David S. "Foregrounding and the Sublime: Shelley in Chamonix." Language and Literature: Journal of the Poetics and Linguistics Association 16.2 (2007): 155-68. Print.

Miller, Christopher R. "Shelley's Uncertain Heaven." ELH 72.3 (2005): 577-603. Print.

Miller, T. S. "The Proliferation of Duality in Shelley's Alastor." Explicator 68.4 (2010): 219-22. Print.

Milne, Drew. "Flaming Robes: Keats, Shelley and the Metrical Clothes of Class Struggle." Textual Practice 15.1 (2001): 101-22. Print.

Milnes, Tim. "Centre and Circumference: Shelley's Defence of Philosophy." European Romantic Review 15.1 (2004): 3-22. Print.

Mitchell, Robert. "'here is Thy Fitting Temple': Science, Technology and Fiction in Shelley's Queen Mab." Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies 21 (2001). Print.

Molinari, Lori. "Revising the Revolution: The Festival of Unity and Shelley's Beau Ideal." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 53 (2004): 97-126. Print.

Morgan, Alison. "'God Save our Queen!' Percy Bysshe Shelley and Radical Appropriations of the British National Anthem." Romanticism: The Journal of Romantic Culture and Criticism 20.1 (2014): 60-72. Print.

Mortimer, Armine Kotin. "Myth and Mendacity: Balzac's Pierrette and Beatrice Cenci." Dalhousie French Studies 51 (2000): 12-25. Print.

Morton, Timothy. "Joseph Ritson, Percy Shelley and the Making of Romantic Vegetarianism." Romanticism: The Journal of Romantic Culture and Criticism 12.1 (2006): 52-61. Print.

---. "Percy Shelley, Snacker Poet." Moving Worlds: A Journal of Transcultural Writings 6.2 (2006): 22-9. Print.

Mossberg, Barbara Antonina Clarke. "Through the Transatlantic Lens of 'My George Eliot' and Percy Bysshe Shelley: Emily Dickinson's Expatriate Soul in Postcards from the Edge." Emily Dickinson Journal 21.2 (2012): 59-79. Print.

Mozer, Hadley J. "'Ozymandias,' Or De Casibus Lord Byron: Literary Celebrity on the Rocks." European Romantic Review 21.6 (2010): 727-49. Print.

Nagle, Christopher. "Sterne, Shelley, and Sensibility's Pleasure of Proximity." ELH 70.3 (2003): 813-45. Print.

Nersessian, Anahid. "Radical Love and the Political Romance: Shelley After the Jacobin Novel." ELH 79.1 (2012): 111-34. Print.

North, Julian. "Shelley Revitalized: Biography and the Reanimated Body." European Romantic Review 21.6 (2010): 751-70. Print.

Nuss, Melynda. "Prometheus in a Bind: Law, Narrative and Movement in Prometheus Unbound." European Romantic Review 18.3 (2007): 417-34. Print.

O'Connell, Anita. "Dante's Linguistic Detail in Shelley's Triumph of Life." CLCPrint: Comparative Literature and Culture 13.4 (2011). Print.

O'Neil, Michael. "'A Double Face of False and True': Poetry and Religion in Shelley." Literature & Theology: An International Journal of Religion, Theory, and Culture 25.1 (2011): 32-46. Print.

O'Neill, Michael. "'A Deeper and Richer Music': Felicia Hemans in Dialogue with Wordsworth, Byron and Shelley." Charles Lamb Bulletin 145 (2009): 3-12. Print.

---. "A. C. Bradley's Views of Shelley's Poetry and Poetics." Romanticism: The Journal of Romantic Culture and Criticism 14.1 (2008): 36-46. Print.

---. "Adonais and Poetic Power." Wordsworth Circle 35.2 (2004): 50-7. Print.

---. "The Fixed and the Fluid: Identity in Byron and Shelley." Byron Journal 36.2 (2008): 105-16. Print.

---. "The Gleam of those Words: Coleridge and Shelley." Keats-Shelley Review 19 (2005): 76-96. Print.

---. "'Materials for Imagination': Shelleyan Traces in Felicia Hemans's Poetry After 1822." Women's Writing 21.1 (2014): 74-90. Print.

---. "Shelley's Defences of Poetry." Wordsworth Circle 43.1 (2012): 20-5. Print.

---. "Southey and Shelley Reconsidered." Romanticism: The Journal of Romantic Culture and Criticism 17.1 (2011): 10-24. Print.

---. "'the Whole Mechanism of the Drama': Shelley's Translation of Plato's Symposium." Keats-Shelley Review 18 (2004): 51-67. Print.

O'Niell, Michael. "Antipathy and Sympathy: Lamb's Response to Shelley, Byron, and Keats." Charles Lamb Bulletin 154 (2011): 89-99. Print.

Opali, Fred. "Romantic and African Notions of Poetic Language: Shelley and Okot p'Bitek." Matatu: Journal for African Culture and Society 35 (2007): 59-67. Print.

O'Shaughnessy, David. "Godwin, Shelley, and the 'Free Communication of Intellect'." Bodleian Library Record 25.1 (2012): 61-9. Print.

Ovenden, Richard. "The Godwins and Shelleys at Oxford." Book Collector 53.4 (2004): 559-65. Print.

Peterfreund, Stuart. "The Color Violaceous, Or, Chemistry and the Romance of Dematerialization: The Subliming of Iodine and Shelley's Adonais." Studies in Romanticism 42.1 (2003): 45-54. Print.

Pite, Ralph. "Shelley in Italy." Yearbook of English Studies 34 (2004): 46-60. Print.

Potkay, Monica Brzezinski. "Incest as Theology in Shelley's the Cenci." Wordsworth Circle 35.2 (2004): 57-65. Print.

Prell, Donald B. "The Sinking of the Don Juan Revisited." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 56 (2007): 136-54. Print.

Pyle, Forest. "Kindling and Ash: Radical Aestheticism in Keats and Shelley." Studies in Romanticism 42.4 (2003): 427-59. Print.

---. "Skylark-Image: Or, the Vitality of Disappearance." European Romantic Review 25.3 (2014): 319-25. Print.

Quillin, Jessica K. "Shelleyan Lyricism and the Romantic Historicization of Musical Aesthetics." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 54 (2005): 133-47. Print.

Randel, Fred V. "Shelley's Revision of Coleridgean Traditionalism in 'Lines Written among the Euganean Hills'." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 52 (2003): 50-76. Print.

Ravinthiran, Vidyan. "Dante and Shelley's Terza Rima." Essays in Criticism: A Quarterly Journal of Literary Criticism 61.2 (2011): 155-72. Print.

Redfield, Marce. "Masks of Anarchy: Shelley's Political Poetics." Bucknell Review: A Scholarly Journal of Letters, Arts and Sciences 45.2 (2002): 100-26. Print.

Revard, Carter. "Milton as Muse for Keats, Shelley, and Frost." Milton Studies 53 (2012): 205-34. Print.

Richardson, Alan. "The Politics of Dreaming-from Diderot to Keats and Shelley." Romantik: Journal for the Study of Romanticisms 1.1 (2012): 9-26. Print.

Rizo-Patron, Eileen. "Bachelard's Subversive Hermeneutics: A Reading of 'Lightning' in Shelley's Prometheus Unbound." Religion and the Arts 10.3 (2006): 355-73. Print.

Roberts, Hugh. "Mere Poetry and Strange Flesh: Shelley's the Cenci and Calderon's El Purgatorio De San Patricio." European Romantic Review 20.3 (2009): 345-66. Print.

Rockett, Kevin. "Something Rich and Strange: James Joyce, Beatrice Cenci and the Volta." Film & Film Culture 3 (2004): 21-34. Print.

Rodenbeck, John. "Travelers from an Antique Land: Shelley's Inspiration for 'Ozymandias'." Alif: Journal of Comparative Poetics 24 (2004): 121. Print.

Rollison, Damian Judge. "The Kelmscott Shelley and Material Poetics." Journal of the William Morris Society 15.4 (2004): 55-73. Print.

Rossington, Michael. "Claire Clairmont's Fair Copy of Shelley's 'Ode to Naples': A Rediscovered Manuscript." Review of English Studies: The Leading Journal of English Literature and the English Language 56.223 (2005): 59-89. Print.

---. "Commemorating the Relic: The Beginnings of the Bodleian Shelley Collections." Bodleian Library Record 18.3 (2004): 264-75. Print.

---. "Rousseau and Tacitus: Republican Inflections in the Shelleys' History of a Six Weeks' Tour." European Romantic Review 19.4 (2008): 321-33. Print.

---. "'the Destinies of the World': Shelley's Reception and Transmission of European News in 1820-21." Romanticism: The Journal of Romantic Culture and Criticism 13.3 (2007): 233-43. Print.

---. "Theorizing a Republican Poetics: P. B. Shelley and Alfieri." European Romantic Review 20.5 (2009): 619-28. Print.

Roth, Matthew. "Glimmers of Shelley in John Shade's Verse." Nabokovian 62 (2009): 37-42. Print.

Roussetzki, Ré. "Aggravating Shakespeare: Endless Violence in Shelley's and in Musset's Theater of Anxiety." European Romantic Review 15.4 (2004): 493-510. Print.

---. "Theater of Anxiety in Shelley's the Cenci and Musset's Lorenzaccio." Criticism: A Quarterly for Literature and the Arts 42.1 (2000): 31-57. Print.

Ruston, Sharon. "One of the 'Modern Sceptics': Reappraising Shelley's Medical Education." Romanticism: The Journal of Romantic Culture and Criticism 9.1 (2003): 1-19. Print.

---. "Vegetarianism and Vitality in the Work of Thomas Forster, William Lawrence and P. B. Shelley." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 54 (2005): 113-32. Print.

Sachs, Jonathan. "'Yet the Capital of the World': Rome, Repetition, and History in Shelley's Later Writings." Nineteenth-Century Contexts 28.2 (2006): 105-26. Print.

Sandy, Mark. "'Stormy Visions': Shelley's Re-Invention of Myth, Memory and Identity in Adonais." Keats-Shelley Review 14 (2000): 84-94. Print.

Schandorf, Michael. "Romantic 'Ghoststory': Lingering Shades of Shelley in Ulysses." Texas Studies in Literature and Language 51.4 (2009): 416-25. Print.

Schille, Candy. "Orsino's 'Solemn Comedy' and Shelley's 'Tragedy' the Cenci." Restoration and 18th Century Theatre Research 20.1-2 (2005): 64-79. Print.

Schlüter, Kurt. "Shelley's 'Intellectual Beauty': Illusion Or Reality?" Literaturwissenschaftliches Jahrbuch im Auftrage der Görres-Gesellschaft 43 (2002): 121-50. Print.

Schmid, Thomas H. "'England Yet Sleeps': Intertextuality, Nationalism, and Risorgimento in P. B. Shelley's Swellfoot the Tyrant." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 53 (2004): 61-85. Print.

Schmidt, A. V. C. "Texture and Meaning in Shelley, Keats, and Yeats." Essays in Criticism: A Quarterly Journal of Literary Criticism 60.4 (2010): 318-35. Print.

Schoina, Maria. "The 'Poetry of Politics' in Shelley's and Byron's Italian Works." Gramma: Journal of Theory and Criticism 9 (2001): 69-91. Print.

Sharp, Michele Turner. "Mirroring the Future: Adonais, Elegy, and the Life in Letters." Criticism: A Quarterly for Literature and the Arts 42.3 (2000): 299-316. Print.

Singer, Katherine. "Stoned Shelley: Revolutionary Tactics and Women Under the Influence." Studies in Romanticism 48.4 (2009): 687-707. Print.

Sloan, Gary. "Shelley the Atheist." American Atheist 41.4 (2003): 7-9. Print.

Smith, David V. "Der Dichter Spricht: Shelley, Rousseau and the Perfect Society." Keats-Shelley Review 19 (2005): 117-31. Print.

Sorensen, Peter. "New Light on Shelley's 'Ozymandias': Shelley as Prophet of the 'New Israel'." Keats-Shelley Review 16 (2002): 74-93. Print.

Stauffer, Andrew M. "Celestial Temper: Shelley and the Masks of Anger." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 49 (2000): 138-61. Print.

Stephens, Walter. "Ozymandias: Or, Writing, Lost Libraries, and Wonder." MLN 124.5 (2009): 155-68. Print.

Steyaert, Kris. "A 'Massive Dramatic Plum Pudding': The Politics of Reception in the Early Antwerp Performance of Shelley's the Cenci." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 50 (2001): 14-26. Print.

Stock, Paul. "Liberty and Independence: The Shelley-Byron Circle and the State(s) of Europe." Romanticism: The Journal of Romantic Culture and Criticism 15.2 (2009): 121-30. Print.

---. "The Shelleys and the Idea of 'Europe'." European Romantic Review 19.4 (2008): 335-50. Print.

Stoneman, Patsy. "'Addresses from the Land of the Dead': Emily Brontë and Shelley." Brontë Studies: The Journal of the Brontë Society 31.2 (2006): 121-31. Print.

Swann, Mandy. "Shelley's Utopian Seascapes." Studies in Romanticism 52.3 (2013): 389-414. Print.

Sympos, Roman. "Enchanted Archive: Influence, Dissemination, and Media Transformation in Shelley's 'Ode to the West Wind'." Romanticism and Victorianism on the Net 50 (2008). Print.

Taylor, David. "'A Vacant Space, an Empty Stage': Prometheus Unbound, the Last Man, and the Problem of Dramatic (Re)Form." Keats-Shelley Review 20 (2006): 18-31. Print.

Thatcher, David. "Shakespeare and Shelley's Chameleons." ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 13.1 (2000): 18-21. Print.

Tovey, Paige. "Shelley and the Italian City-State." Wordsworth Circle 43.2 (2012): 103-6. Print.

---. "Wordsworth and Shelley in the Alps." Charles Lamb Bulletin 157 (2013): 70-82. Print.

Towsey, David. "Platonic Eros and Deconstructive Love." Studies in Romanticism 40.4 (2001): 511-30. Print.

Trott, Nicola. "Loves of the Triangle: William, Mary, and Percy Bysshe." Wordsworth Circle 31.1 (2000): 2-13. Print.

Turley, Richard Marggraf. "'Breathing Human Passion': Keats, Cornwall, Shelley and Popular Romanticism." European Romantic Review 19.3 (2008): 253-73. Print.

---. "An Echo of Clarke's Address in Shelley's Defence?" Neophilologus 84.2 (2000): 323-7. Print.

Urquhart, Troy. "Metaphor, Transfer and Translation in Plato's Ion: The Postmodern Platonism of Percy Bysshe Shelley's A Defence of Poetry." Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies 31 (2003). Print.

Venables, Toby. "The Lost Traveller." Keats-Shelley Review 15 (2001): 15-21. Print.

Viswas, Asha. "The 'Maruts' of the Rgveda and Shelley's 'Ode to the West Wind': A Study in Influence." Keats-Shelley Review 17 (2003): 86-94. Print.

Vork, Robert. "Things that no One can Say: The Unspeakable Act in Artaud's Les Cenci." Modern Drama 56.3 (2013): 306-26. Print.

Walker, Leila. "Percy Bysshe Shelley and the Ekphrasis of Hair." European Romantic Review 24.2 (2013): 231-50. Print.

Wallace, Jennifer. "'Copying Shelley's Letters': Mary Shelley and the Uncanny Erotics of Greek." Women's Studies: An Interdisciplinary Journal 40.4 (2011): 404-28. Print.

Printb, Timothy. "Shelley's Editorial due." Text: An Interdisciplinary Annual of Textual Studies 16 (2006): 205-15. Print.

Weinberg, Alan. "'all Things are Sold': The Degrading Intrusiveness of Commerce, with Reference to Shelley's Queen Mab V." Keats-Shelley Review 20 (2006): 102-18. Print.

---. "The Limits of Super-Rationality: A New Look at the Conception of Jupiter in Prometheus Unbound." European Legacy: Toward New Paradigms 14.4 (2009): 253-67. Print.

---. "'Yet in its Depth what Treasures': Shelley's Transforming Intellect and the Paradoxical Example of Coleridge." Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies 22 (2001). Print.

Wellens, Oskar. "The First Dutch Performance of the Cenci." Keats-Shelley Review 19 (2005): 142-9. Print.

---. "Shelley in the Netherlands: A Comprehensive List of His Dutch Translations." Keats-Shelley Review 21 (2007): 97-114. Print.

Wells, David N. "Shelley in the Transition to Russian Symbolism: Three Versions of 'Ozymandias'." Modern Language Review 108.4 (2013): 1221-36. Print.

Whatley, John. "'the Ghost of a Forgotten Form of Sleep': The Gothic in Shelley's 'the Triumph of Life'." Gothic Studies 5.1 (2003): 71-93. Print.

Wheatley, Kim. "'Attracted by the Body': Accounts of Shelley's Cremation." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 49 (2000): 162-82. Print.

Wilson, Eric Glenn. "Shelley and the Poetics of Glaciers." Wordsworth Circle 36.2 (2005): 53-6. Print.

Woodman, Ross. "Figuring Disfiguration: Reading Shelley After De Man." Studies in Romanticism 40.2 (2001): 253-88. Print.

Woolford, John. "Browning on the Romantics on Mont Blanc." Browning Society Notes 33 (2008): 3-20. Print.

Wroe, Ann. "Good Self, Bad Self: The Struggle in Shelley." Romanticism and Victorianism on the Net 51 (2008). Print.

---. "Shelley and Night." Keats-Shelley Review 25.1 (2011): 55-67. Print.

---. "Shelley's Good Vibrations: His Marginal Notes to Hartley's Observations on Man." Wordsworth Circle 41.1 (2010): 36-41. Print.

Wry, Joan Reiss. "Panoptic Perspectives in Shelley's 'Mont Blanc': Collapsed Distance and the Alpine Sublime." Explicator 67.1 (2008): 30-3. Print.

Yoneta, Lawrence-Masakazu. "The Landscape in the Pastoral Elegy: A Comparison between Milton's Lycidas and Shelley's Adonais." Sophia English Studies 33 (2008): 3-17. Print.

John Keats (1795-1821)

John Keats Research Guide

Biographical Sketch:

            John Keats was born in 1795 to a livery-stable keeper and the daughter of a stable-owner. Keats’ young life was marred by tragedy with the death of his father in 1804. His mother remarried before mysteriously disappearing for a four year period, leaving Keats and his siblings Tom, George, and Fanny in the care of their grandmother. She returned to her family shortly before dying of tuberculosis. Keats nursed her from then until her death in 1809 when he was 14 (Wolfson and Manning 975). During his childhood, Keats already showed sparks of the genius that would mark his

John Keats by William Hilton
Source: National Portrait Gallery, London

brief career. At Clarke’s School in Enfield, he was introduced to the arts and began his own translation of Virgil’s Aeneid (Everest 2-3). At the age of However, these literary aspirations were not

to be encouraged by the Keats children’s new guardian, who apprenticed to an apothecary in 1811. Although Keats stayed in this career for five years and successfully passed the examination at Apothecaries Hall, he showed more interest in literature, taking time off to read and make his first forays into composing his own poetry (Woof and Hebron 51). After taking his examination in 1816, Keats decided to abandon medicine for poetry. Between 1816 and 1818, Keats met Leigh Hunt, Percy Shelley, William Wordsworth, Charles Lamb, and William Hazlitt (“Keats” 527). Hunt’s publication of Keats’s “O Solitude” in 1816 was soon followed by the publication of the first volume of Keats’s poetry early in 1817. Although this volume received only a lukewarm response, it nonetheless marks beginning of Keats’s literary career.

            After these small but significant successes, Keats pursued the life of a Romantic poet. He lived in the country, wrote more poetry, and traveled through Northern England, Scotland, and Northern Ireland. Despite negative reviews of his poetry that mocked his social status, labelling him of the “Cockney School,” Keats continued writing and publishing his poetry, convinced he would become a celebrated poet if not during his lifetime then after his death (“Keats” 527). Sadly, Keats’s personal and life and career would continue to experience tragedy and success in equal measures. Late in 1817, Keats’s brother Tom died, prompting Keats to move in with his friend Charles Armitage Brown, with whom he also made his scenic tours (Everest 13-15). It was at Brown’s house in Hampstead that Keats met the love of his life, Fanny Brawne (1800-1865). These events led Keats to 1818 and 1819, a period sometimes called “The Great Year,” during which he wrote “The Eve of St. Agnes,” “La Belle Dame sans Merci,” Hyperion, “Bright Star,” and his famous “Odes” (“Keats” 527).  Sadly, just as Keats was creating the works that would make him immortal, he was beginning to feel the early effects of the tuberculosis that would kill him. Beginning in 1818, Keats began to suffer chronic sore throats frequently. His condition deteriorated rapidly. At the beginning of 1820, he was struck with a serious lung hemorrhage. Still dreaming of success, Keats became secretly engaged to Fanny Brawne and set sail for the mild winter of Italy in the fall of 1820 (“Wolfson” 975). Keats’s health did not improve and he died in the February of 1821 at the age of 24, nursed by his friend Joseph Severn. He was memorialized in Shelley’s Adonais and has since become known as one of the English language’s greatest poets and one of the cornerstones of the Romantic period.

Book Review of Keats’s Boyish Imagination by John Marggraf Turley:

            In his controversial work of criticism, Keats’s Boyish Imagination, scholar and poet John M. Turley argues that John Keats, throughout his short poetic career, engaged in a boyish rebellion against the prevailing aesthetic, political, and sexual mores of his day. Turley’s argument is brilliant but flawed. There are times when Turley’s critical eye penetrates Keats’s work so keenly, one wonders if he has opened a new paradigm of Keats criticism, while at other times he teeters close to the brink of irrationality. Nevertheless, for those who can overlook its flaws, Turley’s book is an enlightening and often entertaining read.

John Keats by Joseph Severn
Source: National Portrait Gallery, Lonndon

            Turley begins his work by marshalling evidence for what he considers a current of immaturity that pervades Keats’s work. Whether this immaturity was real or merely a pose, whether it was consciously or unconsciously retained, and whether it had any bearing on Keats’s quality as a poet, Turley only answers quite late in the book. This lack of explication is the chief flaw in his work and may cause more than a few readers to dismiss Turley as half-baked. Indeed, beginning as he does with a Pulp Fiction-esque inquiry into a perceived “foot fetish” in Keats’s poetry, Turley seems to be courting the same notoriety for childishness that he ascribes to Keats. Not only is Turley’s logic in this first chapter somewhat abstruse, his argument is only tangentially related to his topic. After this rocky beginning, however, Turley does flesh out his argument proper, drawing evidence from Keats’s poetry, letters, and journals, to demonstrate that Keats was a man conflicted between joining the “mature” world of “adult” poets and politicians, and retaining his own “boyish” independence and lack of responsibility.

            Turley draws on Keats’s poems, especially The Eve of St. Agnes, Lamia, and Ode to Autumn to demonstrate that Keats brought a “boyish” immaturity to his work. Turley analyzes, often with stunning detail, passages which indicate both conscious and unconscious rebellion against “growing up.” Again, Turley’s arguments are not flawless. More than once, in eagerness to prove his point, Turley rests his arguments on shaky footing. There are moments when Turley seems too quick to identify Keats not merely with his protagonists, but as his protagonists, suggesting the author had little or no separation from his poetry (a fact that is plainly not the case as evidenced by Keats’s own satirical approach to poetry that Turley addresses in Chapter 4). This is not the only instance in which Turley contradicts himself. In his analysis of The Eve of St. Agnes, Turley argues the “tiptoe, amorous” cavaliers represent sexually knowing, virile young men against whom we may see the unsure Porphyro as a symbol of the adolescent-minded Keats (25). However, once Turley comes to an analysis of Keats’s I Stood Tip-toe, he chooses a different reading of tiptoe. Here, Turley argues, “tiptoe” points to Keats’s immaturity, like a child trying to reach too high (60). Why Turley does not apply this meaning to the “tiptoe” cavaliers or tie these arguments together (they both involve the feet with which Turley was so concerned in his first chapter after all) is unclear except that of course, it might impede the flow of his argument.

The failings and inconsistencies in this book do not so much undermine Turley’s argument as demonstrate how much more powerful it could have been. After all, if the “amorous” cavaliers of The Eve of St. Agnes are themselves “tiptoe,” then perhaps they are not as knowing or mature as Turley seems to assume. Perhaps Porphyro, like Keats, has found the perfect blend of maturity and immaturity, allowing him to retain his youthful and boyish innocence while still gaining the object of his “manly” desires. Keats’s Boyish Imagination is not a bad work of criticism but had it probed its own argument deeper, it could have been a great one.

List of Keats Scholarship, 2004-2014:

Allard, James R. Romanticism, Medicine, and the Poet's Body. Aldershot, England: Ashgate,

2007. Print.

Babar, Shazia. Strains of Romanticism in Abdul Ghani Khan and John Keats Poetry: A

Comparative Study. Peshawar: Pashto Academy, University of Peshawar, 2005. Print.

Badcoe, Tamsin Theresa. "'The Porch of That Enchaunted Gate': Spenserian Influences And The

Romance Of Place In Lamia By John Keats." Romanticism: The Journal Of Romantic

Culture And Criticism 17.3 (2011): 351-365.

Barnard, John. "'The Busy Time': Keats's Duties at Guy's Hospital From Autumn 1816 To

March 1817." Romanticism: The Journal Of Romantic Culture And Criticism 13.3 (2007): 199-218.

Barnard, John. "First Fruits or 'First Blights': A New Account Of The Publishing History Of

Keats's Poems (1817)." Romanticism: The Journal Of Romantic Culture And

Criticism 12.2 (2006): 71-101. 

Barth, J. Robert. "Keats's Way of Salvation." Studies In Romanticism 45.2 (2006): 285-297. 

Bate, Walter J, and Serra M. Del. Negative Capability: The Intuitive Approach in Keats. New

York: Contra Mundum Press, 2012. Print.

Bates, Brian. "'Welcome Joy, And Welcome Sorrow': Fancy, Imagination, And Keat's Re-

Visioning Of 'L'allegro' and 'Il Penseroso'."CEA Critic: An Official Journal Of The College English Association 67.3 (2005): 15-27.

Beachy-Quick, Dan. A Brighter Word than Bright: Keats at Work. , 2013. Print.

Bennett, Andrew. Keats, Narrative and Audience: The Posthumous Life of Writing. Cambridge:

Cambridge University Press, 2006. Print.

Betz, Laura Wells. "Keats and The Charm Of Words: Making Sense Of The Eve Of St.

Agnes." Studies In Romanticism 47.3 (2008): 299-319.

Bloom, Harold. John Keats. New York: Chelsea House, 2007. Print.

Bohm, Arnd. "Hunt's ‘The Descent of Liberty’ and The Seasonal Politics Of Keats's 'To

Autumn'." Romanticism: The Journal of Romantic Culture and Criticism 15.2 (2009): 131-143.

Bohm, Arnd. "Just Beauty: Ovid and The Argument Of Keats's 'Ode On A Grecian Urn'." Modern Language Quarterly: A Journal of Literary History 68.1 (2007): 1-26. 

Brennan, Matthew C. "Keats, Turner, and Claudian Landscape: Re-Visioning Lorrain's ‘The

Enchanted Castle.’" CEA Critic: An Official Journal of the College English

Association 73.1 (2010): 64-73. 

Burkey, Adam R. "Parkinson's Shaking Palsy: The 'Aspen-Malady' of John Keats." Keats-

Shelley Journal: Keats, Shelley, Byron, Hunt, and Their Circles 57.(2008): 128-137.

Cappeluti, Jo-Anne. "The Failed Reader: Keats's 'Brain-Sick' Endymion." Philosophy and

Literature 36.1 (2012): 96-110. 

---. "For the Love of Nothing: Auden, Keats, and Deconstruction." Philosophy

And Literature 33.2 (2009): 345-357.

Castellano, Katey. "'Why Linger at the Yawning Tomb So Long?': The Ethics Of Negative

Capability in Keats's Isabella And Hyperion." Partial Answers: Journal of Literature and the History of Ideas 8.1 (2010): 23-38.

Conti Camaiora, Luisa. "Keats's La Belle Dame Sans Merci: The Story of Two

Versions." Anglistica Pisana 2.1-2 (2005): 9-30. 

---, and John Keats. Themes and Images in the Sonnets of John Keats. Milano:

EDUCatt, 2010. Print.

Corcoran, Brendan. "Keats's Death: Towards A Posthumous Poetics." Studies in Romanticism

48.2 (2009): 321-348.

Dilworth, Thomas, and Betsy Keating. "Keats's 'On Sitting Down To Read King Lear Once

Again'." Explicator 65.2 (2007): 78-82.

Edgecombe, Rodney Stenning. "Inverted Christian Images in Endymion, Book 3.” Explicator

68.2 (2010): 96-100.

Eisner, Eric. "Disaster Poetics: Keats and Contemporary American Poetry." Wordsworth

Circle 44.2-3 (2013): 153-158.

Elmore, Lauren T. "The Implications Of Immortal Grief In Shelley's Adonais and Keats's The

Fall of Hyperion." Explicator 68.1 (2010): 15-18. 

Esterhammer, Angela. "Translating the Elgin Marbles: Byron, Hemans, Keats." Wordsworth

Circle 40.1 (2009): 29-36.

Farnell, Guy. "The Enigma of 'La Belle Dame Sans Merci'." Romanticism: The Journal of

Romantic Culture and Criticism 17.2 (2011): 195-208. 

Fermanis, Porsha. "Isabella, Lamia, and 'Merry Old England'." Essays in Criticism: A Quarterly

Journal of Literary Criticism 56.2 (2006): 139-162. 

Ferris, Erin. "Owing to Psyche." European Romantic Review 16.4 (2005): 399-415.

Gallant, Christine. Keats and Romantic Celticism. New York: Palgrave Macmillan, 2005. Print.

Gammelgaard, Lasse. "Two Trajectories Of Reader Response In Narrative Poetry: Roses And

Risings in Keats's 'The Eve of St. Agnes'." Narrative 22.2 (2014): 203-218.

Garofalo, Daniela. "'Give Me That Voice Again … Those Looks Immortal': Gaze and Voice In

Keats's 'The Eve Of St. Agnes'." Studies In Romanticism 49.3 (2010): 353-373. 

Giovanelli, Marcello. Text World Theory and Keats' Poetry: The Cognitive Poetics of Desire,

Dreams and Nightmares. , 2013. Print.

Gleich, Lewis S. "The Phonetic and Spatial Effects of Discourse in Poetic Narratives: The Case

of Keats's 'La Belle Dame Sans Merci'." Narrative 22.2 (2014): 219-233.

Gonsalves, Joshua D. "The Encrypted Prospect: Existentialist Phenomenology, Deconstruction

and Speculative Realism in 'To Autumn'." European Romantic Review 24.3 (2013): 287-295.

Gotoh, Mie. "'When Sages Looked to Egypt for their Lore': Egyptian Art And the Threat of

Visuality in Keats's Hyperion." Poetica: An International Journal Of Linguistic-Literary

Studies 76.(2011): 51-63.

Grovier, Kelly. "'Paradoxes of the Panoscope': 'Walking' Stewart and The Making of Keats's

Ambivalent Imagination." Romanticism And Victorianism On The Net 52.(2008): MLA International Bibliography. Web. 17 Oct. 2014.

Han, Kyoung-Min. "The Urn's 'Silent Form': Keats's Critique of Poetic Judgment." Papers On

Language and Literature: A Journal For Scholars And Critics Of Language And

Literature 48.3 (2012): 245-268.

Hill, Rosemary. "Keats, Antiquarianism, and the Picturesque." Essays in Criticism: A

Quarterly Journal of Literary Criticism 64.2 (2014): 119-137.

Jones, Mark. "Reading Keats to The Letter: E." Studies in Romanticism 51.3 (2012): 343-373.

Keanie, Andrew. John Keats: Against All Doubtings. London: Greenwich Exchange, 2013. Print.

Khalip, Jacques. "Virtual Conduct: Disinterested Agency in Hazlitt and Keats." Elh 73.4 (2006):

885-912.

Kimberly, Caroline E. "Effeminacy, Masculinity, And Homosocial Bonds: The (Un)Intentional

Queering of John Keats." Romanticism On The Net: An Electronic Journal Devoted To

Romantic Studies 36-37.(2004): MLA International Bibliography. Web. 17 Oct. 2014.

Lau, Beth. "Class and Politics in Keats's Admiration of Chatterton." Keats-Shelley Journal:

Keats, Shelley, Byron, Hunt, And Their Circles 53.(2004): 25-38.

---. "Jane Austen and John Keats: Negative Capability, Romance And Reality." Keats-

Shelley Journal: Keats, Shelley, Byron, Hunt, And Their Circles 55.(2006): 81-110. 

Lee, Jerry W. "Capital, Class, and Representations Of Isabel/La In John Keats's

'Isabella'." Explicator 70.3 (2012): 183-186.

Linker, Laura Alexander. "Imagining Adam's Dream: Keats's Chamber of Maiden Thought in

‘The Eve Of St. Agnes.’" Miscelánea: A Journal Of English And American Studies 34.(2006): 11-29. 

Lodge, Sara. "Contested Bounds: John Clare, John Keats, and The Sonnet." Studies in

Romanticism 51.4 (2012): 533-554.

Loreck, Christoph. Endymion and the "labyrinthian Path to Eminence in Art". Würzburg:

Königshausen & Neumann, 2005. Print.

Lowe, Derek. "Wordsworth's 'Unenlightened Swain': Keats and Greek Myth in 'I Stood Tip-Toe

Upon A Little Hill'." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, and Their

Circles 57.(2008): 138-156. 

MacKenzie, Clayton G. "Ideas of Landscape in John Keats' Teignmouth Poems." Studia Anglica

Posnaniensia: An International Review of English Studies 42.(2006): 501-510. 

MacMahon, Barbara. "The Effects of Sound Patterning In Poetry: A Cognitive Pragmatic

Approach." Journal of Literary Semantics36.2 (2007): 103-120. 

Mathes, Carmen Faye. "'Let Us Not Therefore Go Hurrying About': Towards an Aesthetics of

Passivity in Keats's Poetics." European Romantic Review 25.3 (2014): 309-318.

McClain, Dana. "Loss and Desire In 'Ode On A Grecian Urn'." Kentucky Philological

Review 27.(2012): 34-42.

Mulrooney, Jonathan. "How Keats Falls." Studies in Romanticism 50.2 (2011): 251-273.

---. "Keats's Avatar." European Romantic Review 22.3 (2011): 313-321. 

---. "The Sadness of Avatar." Wordsworth Circle 42.3 (2011): 201-204.

Nanian, Richard. "Positive Ambiguity; Or, Why Keats' 'Lamia' Did Not Become A

Fragment." Prism(S): Essays in Romanticism 15.(2007): 52-84. 

O'Gorman, Francis. "Coleridge, Keats, and The Science Of Breathing." Essays in Criticism: A

Quarterly Journal of Literary Criticism61.4 (2011): 365-381. 

Ostas, Magdalena. "Keats's Voice." Studies in Romanticism 50.2 (2011): 335-350. 

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Plumly, Stanley. "The Odes For Their Own Sake." Kenyon Review 33.4 (2011): 161-166.

---. "This Mortal Body." Kenyon Review 29.3 (2007): 164-202.

Plung, Daniel L. "Keats's 'On First Looking Into Chapman's Homer'." Explicator 62.4 (2004):

196-198. 

Pollack-Pelzner, Daniel. "Revisionary Company: Keats, Homer, and Dante in the Chapman

Sonnet." Keats-Shelley Journal: Keats, Shelley, Byron, Hunt, And Their Circles 56.(2007): 39-49. 

Rogers, Kathleen Béres. "Breeding Scorpions In The Brain: Obsession in Keats's ‘Isabella, Or

The Pot of Basil.’" Essays in Romanticism 19.(2012): 33-47. 

Rohrbach, Emily. "Reading the Heart, Reading the World: Keats's Historiographical

Aesthetic." European Romantic Review 25.3 (2014): 275-288.

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Romanticism 50.2 (2011): 229-372.

Rovee, Christopher. "Trashing Keats." Elh 75.4 (2008): 993-1022. 

Sandy, Mark. Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and

Genre. Aldershot, Hants, England: Ashgate, 2005. Print.

Śarmā, Rāmavilāsa. Keats and the Pre-Raphaelites. New Delhi: Anamika Publishers &

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Romanticism 50.3 (2011): 389-411.

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Review 17.2 (2006): 245-254.

Sheley, Erin. "Re-Imagining Olympus: Keats and the Mythology of the Individual

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Shetley, Vernon. "Negative Influence." Genre: Forms of Discourse And Culture 45.1 (2012):

195-213.

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12-21. 

Tontiplaphol, Betsy Winakur. "Wherewith They Weave A Paradise: Keats And The Luscious

Poem." Romanticism And Victorianism On The Net 45.(2007): MLA International

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Towell, Lavaughn. "Effusion Imagery wnd The Elixir Of Life in the Poetry of John

Keats." Interactions: Aegean Journal of English And American Studies/Ege İngiliz Ve

Amerikan İncelemeleri Dergisi 16.1 (2007): 165-173. 

Townsend, Ann. "Myopic Keats." Kenyon Review 33.4 (2011): 167-172.

Tso, Yihsuan. "Subversiveness, Fame and the Paine-Burk Debate in Keats's

Odes." Pennsylvania Literary Journal 2.1 (2010): 162-183.

Turley, Richard M. Keats's Boyish Imagination. London: Routledge, 2004. Print.

---, Jayne Elizabeth Archer, and Howard Thomas. "Keats, 'To Autumn',

and the New Men of Winchester."Review Of English Studies 63.262 (2012): 797-817.

Vaibhava, Vijaya. Aesthetic of John Keats: An Indian Approach. New Delhi: Adhyayan

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Wunder, Jennifer N. Keats, Hermeticism, and the Secret Societies. Alershot, England: Ashgate,

2008. Print.

List of Online Resources:

HOLLIS Keats Collection: Harvard University’s online archive of manuscripts includes an extensive

John Keats by William Hamilton
Source: National Portrait Gallery, London

collection of full-color scans of Keats’s manuscripts including letters, early drafts, transcriptions, revisions, fragments, and more. It is an excellent resource, especially as a starting point for those interested in doing textual studies of Keats’s poetry or performing biographical work on Keats. It is fully accessible to the public at: http://hollis.harvard.edu

MLA International Bibliography: An obvious “go-to” resource for any literary research, this database holds millions of articles and links to books on an impressive range of literary subjects with the major periods and topics of study such as canonical Romantic poets like Keats being particularly full. It is accessible through the TWU Library list of databases.

The Poetry Foundation Website (Publisher of Poetry Magazine): A wonderful resource for students and teachers, the Poetry Foundation’s award-winning website features the work of poets from every period. Keats is well-represented with digital versions of some of his most significant poems, a lengthy biography, and citations of many other resources including biographies and collections of poetry. It is fully accessible to the public at no cost at: http://www.poetryfoundation.org and through a free mobile app (which I highly recommend).

Poets.org: Like The Poetry Foundation, Poets.org is a website dedicated to informing the public on poets and poetry. Poems and information on many poets are available free of charge. The site also has great resources for teachers. The website features a brief biography of Keats, links to some of his poems, and a list of his major works. Accessible at: http://www.poets.org/poetsorg/poet/john-keats

Bartleby.com: An open source literary website, Bartleby.com offers free access to the works of many authors through its digital versions of the Harvard Classics series and The Oxford Shakespeare. A good deal of Keats’ poetry is available and the website is fully searcheable though the editions used are quite dated (mostly late 19^th and early 20^th century editions) and thus may be lacking in textual integrity. It is fully accessible to the public at http://www.bartleby.com

YouTube: Although, like Wikipedia, YouTube is of questionable accuracy, it does provide access to certain instructional videos such as this clip from a BBC documentary on the Romantic poets: https://www.youtube.com/watch?v=Z_1aF8IQ7WQ

Works Cited for the Biographical Sketch

“Keats.” The Oxford Companion to English Literature. Ed. Margaret Drabble. Oxford:

Oxford University Press, 1985. 526-527. Print.

Wolfson, Susan and Manning, Peter. "John Keats: (1795-1821)." Longman Anthology of British

Literature: The Romantics and their Contemporaries. 5^th ed. Ed. David Damrosh, Kevin

J. H. Dettmar, and Amelia Klein. New York: Pearson, 2012. 973-975. Print.

Woof, Robert and Hebron, Stephen. John Keats. Grasmere, Cumbria (UK): The Wordsworth

Trust, 1995. Print

Kelvin, Everest. “Keats, John (1795–1821).” Oxford Dictionary of National Biography. Oxford

University Press Online. May 2006. Accessed October 13, 2014.